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From its beginning, jazz has presented a contradictory social world: jazz musicians have worked diligently to erase old boundaries, but they have just as resolutely constructed new ones. David Ake's vibrant and original book considers the diverse musics and related identities that jazz communities have shaped over the course of the twentieth century, exploring the many ways in which jazz musicians and audiences experience and understand themselves, their music, their communities, and the world at large.

Writing as a professional pianist and composer, the author looks at evolving meanings, values, and ideals—as well as the sounds--that musicians, audiences, and critics carry to and from the various activities they call jazz. Among the compelling topics he discusses is the "visuality" of music: the relationship between performance demeanor and musical meaning. Focusing on pianists Bill Evans and Keith Jarrett, Ake investigates the ways in which musicians' postures and attitudes influence perceptions of them as profound and serious artists. In another essay, Ake examines the musical values and ideals promulgated by college jazz education programs through a consideration of saxophonist John Coltrane. He also discusses the concept of the jazz "standard" in the 1990s and the differing sense of tradition implied in recent recordings by Wynton Marsalis and Bill Frisell.

Jazz Cultures shows how jazz history has not consisted simply of a smoothly evolving series of musical styles, but rather an array of individuals and communities engaging with disparate—and oftentimes conflicting--actions, ideals, and attitudes.

• Sales Rank: #206489 in Books
• Color: Other
• Published on: 2002-01-07
• Original language: English
• Number of items: 1
• Dimensions: 9.18" h x .62" w x 6.12" l, .91 pounds
• Binding: Paperback
• 265 pages

Most helpful customer reviews

9 of 9 people found the following review helpful.
An informative and engaging history
By Midwest Book Review
In Jazz Cultures, David Ake (Assistant Professor of Music, University of Nevada, Reno) presents an informative and engaging history of the only authentically American contribution to world music -- Jazz. Professor Ake draws upon his expertise as a professional pianist and composer to present an impressively "reader friendly" historical survey of how jazz musicians and their audiences evolved an understanding and appreciation for this unique music which reflected the roots of the Black American subculture, went on to cross over into the dominant white popular culture, and go on to eventually achieve a world wide acclaim. Of special interest are Ake's commentaries on the concept of a "jazz standard" in the decade of the 1990s and how jazz history has never been a linear evolvement of musical styles, but a potpourri of disparate (and sometimes conflicting) creations, compositions, attitudes, performers and performances. Also available in hardcover...Jazz Cultures is strongly recommended reading for both students of American Music History and the non-specialist general reader with an interest in the development of this complex and original American musical tradition with its sometimes subtle, sometimes profound influences on 20th Century American popular culture.

0 of 4 people found the following review helpful.
Wide but not Deep
By jive rhapsodist
I don't know, Leonard, I think I'm going to have to give it three - well, it's not quite four. Maybe three and a half. It sounds like some of that stuff that's coming from some of those New Academic bands - where's that - Guelph? Also at Columbia there's a group of those guys. George Lewis can play that stuff, but some of the guys that follow George, well, they just haven't paid their dues! You can't just LEAP into the Post - Modern. You gotta know the tradition. It's not the quality of the questions. The questions are great. The answers? The answers are just too basic and self - satisfied and lacking in nuance. But you know, it's like Mintons and Joe Guy. A lot of the older cats, they learned about what Bebop was gonna be as a trumpet language from Joe Guy. And then Dizzy and Fats came along and washed him away. It's like, if you were gonna provide a real alternative to Roy Eldridge, you'd have to be able to have assimilated Roy in order to provide a really effective next step. These guys couldn't get on the bandstand in Paris w/ Barthes or Jacques D. (zikhrono livrakha) in a cutting contest. They'd get blown away! I mean it's cool that American Jazz Cats are trying to speak this language. But France is where the real stuff is. A guy who's trying to learn this stuff just from books and who hasn't really done their time defending it in the cafés - well, maybe in a generation or two, some little guy from Lawrence, Kansas or Grinnell, Iowa might be able to really swing and play this kind of blues. It's not ethnicity - it's GROWING Up with this kind of language as your culture! I don't think I like this one as much as that Robert Walser one you played before.

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# Ebook Free Media Worlds: Anthropology on New TerrainFrom University of California Press

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This groundbreaking volume showcases the exciting work emerging from the ethnography of media, a burgeoning new area in anthropology that expands both social theory and ethnographic fieldwork to examine the way media—film, television, video—are used in societies around the globe, often in places that have been off the map of conventional media studies. The contributors, key figures in this new field, cover topics ranging from indigenous media projects around the world to the unexpected effects of state control of media to the local impact of film and television as they travel transnationally. Their essays, mostly new work produced for this volume, bring provocative new theoretical perspectives grounded in cross-cultural ethnographic realities to the study of media.

• Sales Rank: #606787 in Books
• Published on: 2002-10-07
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 1.00" w x 6.00" l, 1.38 pounds
• Binding: Paperback
• 410 pages

Review
"After years of avoiding the subject, anthropologists have finally discovered that media can be profitably studied ethnographically and that anthropology of media is not only possible but essential. Media Worlds is a collection of groundbreaking essays by top-notch scholars."-Jay Ruby, author of Picturing Culture: Explorations of Film and Anthropology "Not just a book, but the book on the anthropology of the media. The collection works not just as an assemblage but from a sense that every paper adds another perspective to the whole."-Danny Miller, co-author of The Internet: An Ethnographic Approach

From the Inside Flap
"After years of avoiding the subject, anthropologists have finally discovered that media can be profitably studied ethnographically and that anthropology of media is not only possible but essential. Media Worlds is a collection of groundbreaking essays by top-notch scholars."—Jay Ruby, author of Picturing Culture: Explorations of Film and Anthropology

"Not just a book, but the book on the anthropology of the media. The collection works not just as an assemblage but from a sense that every paper adds another perspective to the whole."—Danny Miller, co-author of The Internet: An Ethnographic Approach

"The anthropology of media is in many ways the most dynamic domain of the discipline today. Media Worlds will establish itself immediately as the canonical volume in this long overdue area of study. Its rigorous ethnographic studies of the production, distribution, and reception of film, television, and electronic media around the world will also encourage media and cultural studies to relinquish the exclusivity they afford to the 'text' and to attend to the global social practices of media in toto. An outstanding work."—Lucien Taylor, co-author of Cross-Cultural Filmmaking: A Handbook for Making Documentary and Ethnographic Films and Videos

"The strength of this lovely collection is in the diversity and range of the case materials that it brings together under one cover."—Michael M. J. Fischer, coauthor of Anthropology as Cultural Critique: An Experimental Moment in the Human Sciences

"Contemporary media studies allow us to continue examining anthropology's traditional subjects in promising new ways. This strong and comprehensive collection by the key figures who have pioneered media studies in anthropology both focuses and surveys the field. As a much needed teaching resource, it will stimulate the proliferation of culture and media courses and will transform the many courses that are built on the identification of peoples as indigenous, minority, or ethnic."—George E. Marcus, editor of the series Late Editions: Cultural Studies for the End of the Century

"Media Worlds is a compelling argument for how and why media matters in anthropology and the contemporary world. The exciting array of field-defining work bridges anthropology and film, TV, and radio media. Critically revising earlier paradigms for an anthropology of (visual) communication, the authors argue for new and forceful concerns with media activism, representation, nationalism and transnationalism, diasporas, and social engagements with technology."—Steven Feld, Producer of Voices of the Rainforest and Professor of Music and Anthropology, Columbia University

"It is amazing that this is the first book of its kind. One would think that an anthropological approach, placing the media squarely within the rich and diverse contexts of social relations and everyday life, would long have been integral to media studies. Not so! This wonderful book provides an overdue correction. As the essays here show, we cannot understand lives and societies without understanding the mediascapes we inhabit. This is compulsive reading!"—Ien Ang, author of Living Room Wars: Rethinking Media Audiences for a Postmodern World

"This landmark collection maps and motivates the anthropological voice in media studies by locating the media in worlds of practice, sentiment, debate, and dissent. Using such vivid examples as the image management of the Dalai Lama and the social organization of Nigerian cinema theatres, the authors remind us that media machineries are no more magical than the social worlds they inhabit and project. Media Worlds will be a boon to scholars and teachers in media studies, anthropology, and global cultural studies."—Arjun Appadurai, author of Modernity at Large: Cultural Dimensions of Globalization

From the Back Cover
"After years of avoiding the subject, anthropologists have finally discovered that media can be profitably studied ethnographically and that anthropology of media is not only possible but essential. "Media Worlds is a collection of groundbreaking essays by top-notch scholars."--Jay Ruby, author of "Picturing Culture: Explorations of Film and Anthropology

"Not just a book, but "the book on the anthropology of the media. The collection works not just as an assemblage but from a sense that every paper adds another perspective to the whole."--Danny Miller, co-author of "The Internet: An Ethnographic Approach

"The anthropology of media is in many ways the most dynamic domain of the discipline today. "Media Worlds will establish itself immediately as the canonical volume in this long overdue area of study. Its rigorous ethnographic studies of the production, distribution, and reception of film, television, and electronic media around the world will also encourage media and cultural studies to relinquish the exclusivity they afford to the 'text' and to attend to the global social practices of media in toto. An outstanding work."--Lucien Taylor, co-author of "Cross-Cultural Filmmaking: A Handbook for Making Documentary and Ethnographic Films and Videos

"The strength of this lovely collection is in the diversity and range of the case materials that it brings together under one cover."--Michael M. J. Fischer, coauthor of "Anthropology as Cultural Critique: An Experimental Moment in the Human Sciences

"Contemporary media studies allow us to continue examining anthropology's traditional subjects in promising new ways. This strong and comprehensive collection by the key figures who havepioneered media studies in anthropology both focuses and surveys the field. As a much needed teaching resource, it will stimulate the proliferation of culture and media courses and will transform the many courses that are built on the identification of peoples as indigenous, minority, or ethnic."--George E. Marcus, editor of the series "Late Editions: Cultural Studies for the End of the Century

""Media Worlds is a compelling argument for how and why media matters in anthropology and the contemporary world. The exciting array of field-defining work bridges anthropology and film, TV, and radio media. Critically revising earlier paradigms for an anthropology of (visual) communication, the authors argue for new and forceful concerns with media activism, representation, nationalism and transnationalism, diasporas, and social engagements with technology."--Steven Feld, Producer of "Voices of the Rainforest and Professor of Music and Anthropology, Columbia University

"It is amazing that this is the first book of its kind. One would think that an anthropological approach, placing the media squarely within the rich and diverse contexts of social relations and everyday life, would long have been integral to media studies. Not so! This wonderful book provides an overdue correction. As the essays here show, we cannot understand lives and societies without understanding the mediascapes we inhabit. This is compulsive reading!"--Ien Ang, author of "Living Room Wars: Rethinking Media Audiences for a Postmodern World

"This landmark collection maps and motivates the anthropological voice in media studies by locating the media in worlds of practice, sentiment, debate, and dissent. Using such vividexamples as the image management of the Dalai Lama and the social organization of Nigerian cinema theatres, the authors remind us that media machineries are no more magical than the social worlds they inhabit and project. "Media Worlds will be a boon to scholars and teachers in media studies, anthropology, and global cultural studies."--Arjun Appadurai, author of "Modernity at Large: Cultural Dimensions of Globalization

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## PDF Download Beyond Structural Listening?: Postmodern Modes of HearingFrom University of California Press

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In a highly influential essay, Rose Rosengard Subotnik critiques “structural listening” as an attempt to situate musical meaning solely within the unfolding of the musical structure itself. The authors of this volume, prominent young music historians and theorists writing on repertories ranging from Beethoven to MTV, take up Subotnik’s challenge in what is likely to be one of musical scholarship’s intellectual touchstones for many years to come. Original, innovative, and sophisticated, their essays explore not only the implications of the “structural listening” model but also the alternative listening strategies that have developed in specific communities, often in response to twentieth-century Western music.

• Sales Rank: #2769666 in Books
• Published on: 2004-10-11
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .88" w x 6.00" l, 1.06 pounds
• Binding: Paperback
• 343 pages

Review
"This collection is a landmark contribution that will take music scholarship by surprise." - Robert Walser, author of Keeping Time; "A rich and challenging collection. Its authors write from a common perspective that sets their views at odds with the terms that have most commonly determined musical discourse in the twentieth century. At the same time they consider listeners' involvement with a wide range of musics from the high modernism of Boulez and Barraque through the standard classical repertory to MTV. There is something here to interest every music scholar and listener." - Ruth A. Solie, author of Music in Other Words"

From the Inside Flap
"This is a rich and challenging collection, sparked by Rose Rosengard Subotnik's notion of 'structural listening,' that offers a spirited critique of modernist aesthetic assumptions. Its authors write from a common perspective that sets their views at odds with the terms that have most commonly determined musical discourse in the twentieth century, and at the same time they consider listeners' involvement with a wide range of musics from the high modernism of Boulez and Barraqué through the standard classical repertory to MTV. There is something here to interest every music scholar and listener."—Ruth A. Solie, author of Music in Other Words: Victorian Conversations

"The most impressive collection of separately authored essays musicology has yet seen. They are persuasive in their theoretical sophistication and in how they demonstrate original tactics for illuminating musical meanings. This collection is a landmark contribution that will take musical scholarship by surprise."—Robert Walser, author of Keeping Time: Readings in Jazz History

From the Back Cover
"This is a rich and challenging collection, sparked by Rose Rosengard Subotnik's notion of 'structural listening, ' that offers a spirited critique of modernist aesthetic assumptions. Its authors write from a common perspective that sets their views at odds with the terms that have most commonly determined musical discourse in the twentieth century, and at the same time they consider listeners' involvement with a wide range of musics from the high modernism of Boulez and Barraque through the standard classical repertory to MTV. There is something here to interest every music scholar and listener."--Ruth A. Solie, author of "Music in Other Words: Victorian Conversations

"The most impressive collection of separately authored essays musicology has yet seen. They are persuasive in their theoretical sophistication and in how they demonstrate original tactics for illuminating musical meanings. This collection is a landmark contribution that will take musical scholarship by surprise."--Robert Walser, author of "Keeping Time: Readings in Jazz History

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The fabulous gown, the multitiered cake, abundant flowers, attendants and guests in their finery. The white wedding does more than mark a life passage. It marries two of the most sacred tenets of American culture—romantic love and excessive consumption. For anyone who has ever wondered about the meanings behind a white dress, a diamond ring, rice, and traditions such as cake cutting, bouquet tossing, and honeymooning, this book offers an entertaining and enlightening look at the historical, social, and psychological strains that come together to make the lavish wedding the most important cultural ritual in contemporary consumer culture.

With an emphasis on North American society, Cele C. Otnes and Elizabeth H. Pleck show how the elaborate wedding means far more than a mere triumph for the bridal industry. Through interviews, media accounts, and wide-ranging research and analysis, they expose the wedding's reflection—or reproduction—of fundamental aspects of popular consumer culture: its link with romantic love, its promise of magical transformation, its engendering of memories, and its legitimization of consumption as an expression of perfection. As meaningful as any prospective bride might wish, the lavish wedding emerges here as a lens that at once reveals, magnifies, and reveres some of the dearest wishes and darkest impulses at the heart of our culture.

• Sales Rank: #891394 in Books
• Published on: 2003-10-17
• Original language: English
• Number of items: 1
• Dimensions: 9.02" h x .90" w x 5.98" l, 1.41 pounds
• Binding: Paperback
• 399 pages

From Publishers Weekly
Despite rampant unemployment, financial insecurity and dizzying personal debt levels, there's still a place for purveyors of wedding gowns, flowers and multi-tiered cakes. Professors Otnes and Pleck, of the University of Illinois, Urbana-Champaign, amply explain why. Some of their observations aren't surprising, as when they posit that weddings are a way to flaunt social prowess, but other insights about the link between consumer culture and wedding bells are fresh. They also cover the trappings surrounding the wedding day, such as the engagement ring, the perception of romantic love and even the bouquet toss. Although they sometimes make lighthearted observations, Otnes and Pleck are often scholarly. They adeptly weave in anthropology and cultural commentary to sharpen their points, for instance, discussing the introduction of the "sacred" into the shopping process. As the bride (and it's almost always the bride instead of the groom) selects items for use during the wedding day, she tends to assign significance to them that's far weightier than the objects' usual meaning. Therefore, a silk pillow that would normally be flung onto a couch and forgotten is instead turned into a magical object because the wedding rings will be placed on it during the ceremony. The authors write, "Such items meet the definition of sacred artifacts as described by scholars in religious studies, consumer behavior, and other disciplines." That's a lot of analysis for one little pillow, but almost anyone who's been a bride or gone shopping with one can see the truth of the statement.
Copyright 2003 Reed Business Information, Inc.

Review
"Elizabeth Pleck and Cele Otnes pair their distinct talents to offer us a lavish display of the lavish wedding. In fascinating and often surprising detail--across time and place--they make sense of why we have clung to and, in fact, have radically embellished this vestige of Victorian culture."

From the Inside Flap
"As Otnes and Pleck so richly detail, the contemporary wedding is at once a rite of passage, a flight of fantasy, an expression of romantic longing, and an orgy of conspicuous consumption. Most significantly, the lavish wedding has become a celebration of contemporary consumer culture and is spreading globally, despite some resistance and backlash. From Barbie's wedding dress to Hollywood films to enormously expensive Asian weddings to gay and lesbian white weddings, we sanction superfluity in weddings to a degree unparalleled in other key life events including those of birth and death. This is a compelling analysis of the past, present, and future of wedding rituals, that holds a telling mirror to contemporary culture."—Russell Belk, author of Collecting in a Consumer Society

"Elizabeth Pleck and Cele Otnes pair their distinct talents to offer us a lavish display of the lavish wedding. In fascinating and often surprising detail--across time and place--they make sense of why we have clung to and, in fact, have radically embellished this vestige of Victorian culture."—Gary Cross, author of An All Consuming Century: Why Commercialism Won in Modern America

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6 of 6 people found the following review helpful.
Fascinating and entertaining, scholarly but never dull
By Una cliente
Scholarly but never dull, this fascinating chronicle of the changes in the American wedding over the past century reveals the extent to which so many of our wedding "traditions" are actually fairly recent inventions -- lifted straight from the movies, or foisted upon us by the many industries that profit from the lavish wedding. Though the authors approach their task as researchers and seem to have no particular ax to grind, readers who feel that the opulence of the American wedding has spiraled out of control will likely find plenty of support here for making a change.

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^ PDF Ebook City Bountiful: A Century of Community Gardening in America, by Laura J. Lawson

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Since the 1890s, providing places for people to garden has been an inventive strategy to improve American urban conditions. There have been vacant-lot gardens, school gardens, Depression-era relief gardens, victory gardens, and community gardens—each representing a consistent impulse to return to gardening during times of social and economic change. In this critical history of community gardening in America, the most comprehensive review of the greening of urban communities to date, Laura J. Lawson documents the evolution of urban garden programs in the United States. Her vibrant narrative focuses on the values associated with gardening, the ebb and flow of campaigns during times of social and economic crisis, organizational strategies of these primarily volunteer campaigns, and the sustainability of current programs.

• Sales Rank: #917169 in Books
• Published on: 2005-05-30
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 1.00" w x 6.00" l, 1.11 pounds
• Binding: Paperback
• 382 pages

Review
"The definitive history of the past hundred years of America's experience with community gardens."

From the Inside Flap
"The social history of American cities would not be complete without a full account of the rise of community open spaces. Lawson does exactly this by providing a compelling and poetic account of the history and making of urban gardens. Combining solid scholarship with engaging images of the gardens and stories of their makers, this book sheds new light on the value of urban open space. More important, it explains why community gardens need to stand alongside city parks as permanent open spaces. Essential reading for community developers and landscape architects as well as anyone who ventures outside, enthusiasm and shovel in hand, to improve their local environment.—Mark Francis, author of Urban Open Space and Village Homes

"The definitive history of the past hundred years of America's experience with community gardens. A labor of love by a garden activist, the book appears at a most appropriate time—today our city dwellers and suburbanites are retreating onto carpets of passive open space tended by homeowner associations and lawn care outfits. Lawson thoughtfully analyzes the weaknesses of community gardens when used as a response to social crises and, by contrast, investigates community gardens as an alternative to today's managed care of open space. Her history clearly presents a way of community living that we can elect if we choose her wisdom."—Sam Bass Warner, Jr, author of To Dwell Is to Garden

"An important book about how the urban gardening movement is transforming our landscape and reconnecting us to the land."—Alice Waters, Owner, Chez Panisse

From the Back Cover
"The social history of American cities would not be complete without a full account of the rise of community open spaces. Lawson does exactly this by providing a compelling and poetic account of the history and making of urban gardens. Combining solid scholarship with engaging images of the gardens and stories of their makers, this book sheds new light on the value of urban open space. More important, it explains why community gardens need to stand alongside city parks as permanent open spaces. Essential reading for community developers and landscape architects as well as anyone who ventures outside, enthusiasm and shovel in hand, to improve their local environment.--Mark Francis, author of "Urban Open Space and Village Homes "The definitive history of the past hundred years of America's experience with community gardens. A labor of love by a garden activist, the book appears at a most appropriate time--today our city dwellers and suburbanites are retreating onto carpets of passive open space tended by homeowner associations and lawn care outfits. Lawson thoughtfully analyzes the weaknesses of community gardens when used as a response to social crises and, by contrast, investigates community gardens as an alternative to today's managed care of open space. Her history clearly presents a way of community living that we can elect if we choose her wisdom."--Sam Bass Warner, Jr, author of "To Dwell Is to Garden"An important book about how the urban gardening movement is transforming our landscape and reconnecting us to the land."--Alice Waters, Owner, Chez Panisse

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8 of 11 people found the following review helpful.
The community, the crisis and the garden
By Reader from Yellow River
In terms of the world, the idea of community gardening might go back thousands of years, to the time of King Cyrus of Persia. In terms of the United States, it might be so American an idea that it goes back to the time of European colonization. For the idea might be as old as the commons of English-speaking settlers and the town squares of Spanish-speaking settlers. But Laura J Lawson is concerned with a more limited timespan. Her book, CITY BOUNTIFUL, covers community gardening in the United States from the 1890s to the present.

What drew her to that topic? The author first turned to gardening to get through tightly budgeted college years. Gardening was such a budget-smart move that she thought she was a rural wannabee. But the green-acre life wasn't for her. Instead, she was a city girl who wanted to be as self-sufficient as possible. So gardening became a research and a practical pursuit for her.

Did gardening have the same appeal to most people over time? Which time period would have a definite paper trail of written evidence and perhaps also eyewitness accounts? A CENTURY OF COMMUNITY GARDENING IN AMERICA was the topic that answered both questions. For community gardening is a popular idea with a spotty track record that`s well documented. We have over a hundred years of funding, staff and supply levels going up and down. It's not that people don't consistently like gardening. It's that community gardening has found its steadiest support during crises.

So depressions and wars have been guarantees of community gardening success. That's because people stick to large-group gardening when that gardening is part of the bigger picture. People who like gardening say it's good for character and well-being. But everything needed for community gardening to be wildly successful comes together when the bigger concern is getting our country through major crises here and abroad.

Otherwise, concerns over access, permanence and technology win out. For community gardening has often taken place on rundown and vacant lots. Sooner or later, these lots become attractive to business and investors. The land ends up in other hands, public or private. Community gardening has often depended on funds, people and support from outside, in what the author calls a top-down power structure. Sooner or later, these sources can dry up. And the community may not be ready when that happens.

But community gardening is part of our cultural heritage. What can we do about the ups and downs? The author says each community needs to be guided by a goal of building a city bountiful on earth. Such a city is possible when people are appropriately trained and socially committed to land being used resourcefully. She feels such a goal has become realistic since the last 30 years of the 20th century. For through and since those decades, some community gardening has - and more projects can do likewise - become part of a bottom-up power structure, in which there can be enough funds, people and support locally.

The author has included good index and notes, as well as clear, historic photos from each time period. Her book is nicely organized and clearly written. The book should appeal to a wide audience. As a land care steward trained through Virginia Tech's master gardening program, I'm happy to have the book. The Virginia Tech program is the model for community and school gardening programs throughout the United States, England and Canada. For the Virginia Tech program is living proof that bountiful community gardening is practical and workable.

0 of 1 people found the following review helpful.
Got for a college class
By JulesJames
Got this for a college class. So to me it was boring, outdated but better than other subjects for the particular class. Written by a 'boring' professor as well, however, it was thoroughly written. I think she wrote it for 'kuddos' if you know what I mean. Normally I would NOT have purchased this book. I am into gardening and for educational reasons for school it was fine, for pleasure, it was not.

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^^ Free Ebook Henry David Thoreau and the Moral Agency of Knowing, by Alfred I. Tauber

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In his graceful philosophical account, Alfred I. Tauber shows why Thoreau still seems so relevant today—more relevant in many respects than he seemed to his contemporaries. Although Thoreau has been skillfully and thoroughly examined as a writer, naturalist, mystic, historian, social thinker, Transcendentalist, and lifelong student, we may find in Tauber's portrait of Thoreau the moralist a characterization that binds all these aspects of his career together.

Thoreau was caught at a critical turn in the history of science, between the ebb of Romanticism and the rising tide of positivism. He responded to the challenges posed by the new ideal of objectivity not by rejecting the scientific worldview, but by humanizing it for himself. Tauber portrays Thoreau as a man whose moral vision guided his life's work. Each of Thoreau's projects reflected a self-proclaimed "metaphysical ethics," an articulated program of self-discovery and self-knowing. By writing, by combining precision with poetry in his naturalist pursuits and simplicity with mystical fervor in his daily activity, Thoreau sought to live a life of virtue—one he would characterize as marked by deliberate choice. This unique vision of human agency and responsibility will still seem fresh and contemporary to readers at the start of the twenty-first century.

• Sales Rank: #2764936 in Books
• Published on: 2003-05-05
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .89" w x 6.12" l, .99 pounds
• Binding: Paperback
• 328 pages

Review
"In arguing for the centrally moral and ethical value of Thoreau's works, Tauber is taking a brave stance in these slippery postmodern times.... It's one thing to praise Thoreau for his opposition to the Mexican War, his philosophy of passive resistance, and his fervent opposition to slavery. It's quite another to argue that his entire project--his whole sense of identity, self-formation, and his relation to nature--is part of a deeply moral enterprise....Thoreau's modernity has been defined in many ways in recent years. Tauber adds another important and distinctive dimension to this discussion."

From the Inside Flap
"Tauber's book is encyclopedic—not only a revealing and comprehensive study of Thoreau but also a full vision of the Romantic Weltanschauung and its relevance to contemporary concerns in philosophy, science, and poetics. While this scope is wildly ambitious, Tauber admirably delivers, always informing his parts with the whole, consistently altering the whole with his parts."—Eric Wilson, author of Emerson's Sublime Science

"In arguing for the centrally moral and ethical value of Thoreau's works, Tauber is taking a brave stance in these slippery postmodern times…. It's one thing to praise Thoreau for his opposition to the Mexican War, his philosophy of passive resistance, and his fervent opposition to slavery. It's quite another to argue that his entire project—his whole sense of identity, self-formation, and his relation to nature—is part of a deeply moral enterprise….Thoreau's modernity has been defined in many ways in recent years. Tauber adds another important and distinctive dimension to this discussion."—H. Daniel Peck, John Guy Vassar Professor of English, Vassar College

From the Back Cover
"Tauber's book is encyclopedic--not only a revealing and comprehensive study of Thoreau but also a full vision of the Romantic Weltanschauung and its relevance to contemporary concerns in philosophy, science, and poetics. While this scope is wildly ambitious, Tauber admirably delivers, always informing his parts with the whole, consistently altering the whole with his parts."--Eric Wilson, author of "Emerson's Sublime Science"

"In arguing for the centrally moral and ethical value of Thoreau's works, Tauber is taking a brave stance in these slippery postmodern times. . . . It's one thing to praise Thoreau for his opposition to the Mexican War, his philosophy of passive resistance, and his fervent opposition to slavery. It's quite another to argue that his entire project--his whole sense of identity, self-formation, and his relation to nature--is part of a deeply moral enterprise. . . .Thoreau's modernity has been defined in many ways in recent years. Tauber adds another important and distinctive dimension to this discussion."--H. Daniel Peck, John Guy Vassar Professor of English, Vassar College

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18 of 18 people found the following review helpful.
Thoreau's Response to Post- Modernism
By Margaret Paternek, PhD
This is a book for two kinds of readers. Those who are particularly drawn to Thoreau will find a provocative thesis on which to hang all of his various pursuits. Tauber approaches him as a historian and philosopher of science, and shows how Thoreau was reacting against a rising tide of positivism - a form of radical objectivity -- to preserve his individualistic perspective on the world. Whether he was doing natural history or cultural history, Thoreau collected facts and assembled them to uniquely construct his own view of nature or culture. But Thoreau is only a foil for Tauber's larger purposes. Tauber's major theme is that all knowledge is value-laden and we choose the values by which to know the world and live in it. The fact/value distinction, so important in much of philosophy of science, is brought together here. This thesis is of interest, not only to understand Thoreau, but for a very much wider set of concerns. Tauber is charting out a post-critical understanding of the nature of knowledge, building on two philosophies: Michael Polanyi's "tacit mode" of understanding and Emanuel Levinas's ethical metaphysics. The first argues that the conditions that make knowing possible are not "foundational" or can ever be made explicit, but rather are embedded in individual experience and common social life; from this source, explicit knowledge is created. The second thesis maintains that values determine how we encounter the world and ultimately know it. These themes are not novel to contemporary philosophy, but when posed in present debates about the nature of reality, the claims of relativism, and the problematic status of the self, Tauber's synthesis offers a way out of the maze of postmodernism to new assertions about the primacy of the person. Thoreau is used to demonstrate how the postmodern challenge has its origins in the romanticism and that the responses offered then, when understood in the light of 20th century developments, takes on new significance. This is an ambitious book: The Thoreau lover will find some of the philosophy challenging and the philosophically inclined will find the focus on Thoreau potentially distracting. But each will find their efforts well paid: the first will understand Thoreau in a new way, and the second will see a philosophy enacted in a rarely realized illustration.

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This highly original book brings into focus the sexual discourses manifest in a wealth of little-studied source material—medical texts, legal documents, religious literature, dream interpretation manuals, shadow theater, and travelogues—in a nuanced, wide-ranging, and powerfully analytic exploration of Ottoman sexual thought and practices from the heyday of the Ottoman Empire in the sixteenth century to the beginning of the twentieth. Following on the work of Foucault, Gagnon, Laqueur, and others, the premise of the book is that people shape their ideas of what is permissible, define boundaries of right and wrong, and imagine their sexual worlds through the set of discourses available to them. Dror Ze’evi finds that while some of these discourses were restrictive and others more permissive, all treated sex in its many manifestations as a natural human pursuit. And, he further argues that all these discourses were transformed and finally silenced in the last century, leaving very little to inform Middle Eastern societies in sexual matters. With its innovative approach toward the history of sexuality in the Middle East, Producing Desire sheds new light on the history of the Ottoman Empire, on the history of sexuality and gender, and on the Islamic Middle East today.

• Sales Rank: #1098261 in Books
• Published on: 2006-10-16
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .63" w x 6.00" l, .78 pounds
• Binding: Paperback
• 242 pages

Review
"Producing Desire is a major, highly original, and often surprising presentation of sexual attitudes and practices in the Ottoman Middle East. The author uses a wide variety of contemporary sources to shed new light and draw original conclusions regarding changing attitudes toward sexuality in the Ottoman Empire before and after western influences. These influences are shown to have inhibited forms of male sexual expression that had occurred more freely in an earlier period. I recommend it enthusiastically for students, faculty, and the general public." - Nikki R. Keddie, author of Modern Iran: Roots and Results of Revolution "Using the concept of multiple scripts, Dror Ze'evi brings together into a powerfully analytical focus several sexual discourses to give us a historically grounded and nuanced story about Ottoman sexual thought and practices. No other work brings these 'scripts' together the way Ze'evi has attempted and successfully accomplished." - Afsaneh Najmabadi, author of Women with Mustaches and Men without Beards: Gender and Sexual Anxieties of Iranian Modernity"

From the Inside Flap
“Producing Desire is a major, highly original, and often surprising presentation of sexual attitudes and practices in the Ottoman Middle East. The author uses a wide variety of contemporary sources to shed new light and draw original conclusions regarding changing attitudes toward sexuality in the Ottoman Empire before and after western influences. These influences are shown to have inhibited forms of male sexual expression that had occurred more freely in an earlier period. I recommend it enthusiastically for students, faculty, and the general public.”—Nikki R. Keddie, author of Modern Iran: Roots and Results of Revolution

“Using the concept of multiple scripts, Dror Ze'evi brings together into a powerfully analytical focus several sexual discourses to give us a historically grounded and nuanced story about Ottoman sexual thought and practices. No other work brings these 'scripts' together the way Ze'evi has attempted and successfully accomplished.”—Afsaneh Najmabadi, author of Women with Mustaches and Men without Beards: Gender and Sexual Anxieties of Iranian Modernity

“As a broad treatment of questions of sexuality over four centuries, Producing Desire not only takes up a topic that no one else has treated systematically, but also aims ambitiously to talk about change over time, and in particular to describe the ambiguous and uneasy outlook of the nineteenth century, when various discourses about sex were challenged.”—Leslie Peirce, author of Morality Tales: Law and Gender in the Ottoman Court of Aintab

From the Back Cover
""Producing Desire is a major, highly original, and often surprising presentation of sexual attitudes and practices in the Ottoman Middle East. The author uses a wide variety of contemporary sources to shed new light and draw original conclusions regarding changing attitudes toward sexuality in the Ottoman Empire before and after western influences. These influences are shown to have inhibited forms of male sexual expression that had occurred more freely in an earlier period. I recommend it enthusiastically for students, faculty, and the general public."--Nikki R. Keddie, author of "Modern Iran: Roots and Results of Revolution
"Using the concept of multiple scripts, Dror Ze'evi brings together into a powerfully analytical focus several sexual discourses to give us a historically grounded and nuanced story about Ottoman sexual thought and practices. No other work brings these 'scripts' together the way Ze'evi has attempted and successfully accomplished."--Afsaneh Najmabadi, author of "Women with Mustaches and Men without Beards: Gender and Sexual Anxieties of Iranian Modernity
"As a broad treatment of questions of sexuality over four centuries, "Producing Desire not only takes up a topic that no one else has treated systematically, but also aims ambitiously to talk about change over time, and in particular to describe the ambiguous and uneasy outlook of the nineteenth century, when various discourses about sex were challenged."--Leslie Peirce, author of "Morality Tales: Law and Gender in the Ottoman Court of Aintab

Most helpful customer reviews

4 of 4 people found the following review helpful.
An important gender and sexuality study
By Anthony V. Shay
This very fine study is a welcome addition to a growing literature that analyzes gender and sexuality in the Middle East. This book is a corrective to the sensationalist, orientalist travelogues that characterized the observations of most western visitors to the Middle East. Zeevi analyzes a number of sources such as Ottoman dream interpretations, poetry, Islamic law and practice, Karagoz street theater, and western travelers' accounts to document changing sexuality and gender roles in Ottoman and modern Turkey. The book makes an excellent companion to Afsaneh Najmabadi's study of Iranian sexuality and gender: Women with Mustaches, Men without Beards. Both are highly recommended.

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> PDF Download Gandhi's Way: A Handbook of Conflict Resolution, by Mark Juergensmeyer

PDF Download Gandhi's Way: A Handbook of Conflict Resolution, by Mark Juergensmeyer

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Gandhi's Way: A Handbook of Conflict Resolution, by Mark Juergensmeyer

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Gandhi’s Way provides a primer of Mahatma Gandhi’s principles of moral action and conflict resolution and offers a straightforward, step-by-step approach that can be used in any conflict—-at home or in business; in local, national, or international arenas. This invaluable handbook, updated with a new preface and a new case study on terrorism in Northern Ireland, sets out Gandhi’s basic methods and illustrates them with practical examples. Juergensmeyer shows how parties at odds can rise above a narrow view of self-interest to find resolutions that are satisfying and beneficial to all involved. He then pits Gandhi’s ideas against those of other great social thinkers in a series of imaginary debates that challenge and clarify Gandhi’s thinking on issues of violence, anger, and love. He also provides a Gandhian critique of Gandhi himself and offers viable solutions to some of the gaps in Gandhian theory.

Gandhi’s Way: A Handbook of Conflict Resolution was previously published as Fighting with Gandhi and Fighting Fair.

• Sales Rank: #859271 in Books
• Published on: 2005-04-18
• Original language: English
• Number of items: 1
• Dimensions: 8.25" h x .40" w x 5.50" l, .50 pounds
• Binding: Paperback
• 185 pages

Review
"This is a manual of instruction in the best sense: a popular reassessment of the activist use of "satyagraha in conflict resolution that has depth and a true appreciation for the ethical subtleties of dialectical struggles, and for the multiple dimensions of 'passive resistance.'"--"Library Journal"A fascinating, thought-provoking, helpful, and heartening book."--Marjorie Lewellyn Marks, "Los Angeles Times "Juergensmeyer's book is something of a Gandhian tour de force--a careful analysis and series of applications of Gandhi's concepts of "satyagraha...to everyday situations with which most Western readers are familiar."--Joe Elder, "Religious Studies Review "A crisply written, cogently argued little manual exploring the practical implications of "satyagraha (truth force)."--"Kirkus Reviews

From the Inside Flap
“A fascinating, thought-provoking, helpful and heartening book.”—Los Angeles Times

“Juergensmeyer’s book is something of a Gandhian tour de force — a careful analysis and series of applications of Gandhi’s concepts of satyagraha … to everyday situations with which most Western readers are familiar.”—Religious Studies Review

“This is a manual of instruction in the best sense: a popular reassessment of the activist use of satyagraha in conflict resolution that has depth and a true appreciation for the ethical subtleties of dialectical struggles, and for the multiple dimensions of ‘passive resistance.’”—Library Journal

About the Author
Mark Juergensmeyer is Professor of Sociology at the University of California, Santa Barbara. He is the author of Terror in the Mind of God: The Global Rise of Religious Violence (revised edition, 2003) and The New Cold War? Religious Nationalism Confronts the Secular State (1993), both from California.

Most helpful customer reviews

11 of 11 people found the following review helpful.
Nonviolence the only way that works
By A. Galbraith
It's unfortunate that the people who have read this book do not really understand what nonviolent conflict resolution is about. Most of the readers, I suspect, think like most Americans that if something doesn't work in 5 easy steps, then it doesn't work at all. Many people argue that nonviolence practice doesn't work. Who says so? And, when does violence work? It may appear to work, but it is a temporary solution that always leads to more complicated (and more violent) conflicts. Nonviolence often takes more time and effort to work, but its results are long-lasting.

The Hitler argument doesn't hold up either. How do we know it wouldn't work? There are a few cases of nonviolent opposition to the Nazis that were successful. But, not many people know about them, because any evidence that points to the achievements of nonviolence are often hidden away. Why? Because it threatens the system of violence that society has worked very hard to brain-wash us into believing.

To those who want to argue at the futile quality of Nonviolence, one should ask: Do you submit to every idea or notion just because the majority has accepted it as true? If there weren't those who were brave enough to challenge convention we'd still believe the world was flat or that the sun revolved around the earth. There must be those pioneers who are willing to live by a new belief to change the world.

This book is one of those to support a new way of perceiving and living a better life.

6 of 6 people found the following review helpful.
Highly valuable lessons for life...
By Kindle Customer
This book may be easy to read, but the underlying philosophy is anything but. As you read this book, it is very important to keep in mind that Gandhi's means were his goals, his determination was the process, and his Truth openly subject to change. So unlike what we do in our conflict resolutions today, he never applied a tactic or a strategy to achieve a predetermined goal. Gandhi typically started a process to find the Truth and he was adamant in his process, but never stubborn on the goal itself.

I found his imaginary conversations fascinating, especially the one with Sigmund Freud about "Reality" vs. "reality." I also believe that familiarity with the Bhagavad Gita, the spiritual scripture that Gandhi recited on a daily basis will help better grasp his way and the author's point.

2 of 2 people found the following review helpful.
Seeing Nonviolence Clearly
By Antony
It's unfortunate that the people who have read this book do not really understand what nonviolent conflict resolution is about. Most of the readers, I suspect, think like most Americans that if something doesn't work in 5 easy steps, then it doesn't work at all. Many people argue that nonviolence practice doesn't work. Who says so? And, when does violence work? It may appear to work, but it is a temporary solution that always leads to more complicated (and more violent) conflicts. Nonviolence often takes more time and effort to work, but its results are long-lasting.
The Hitler argument doesn't hold up either. How do we know it wouldn't work? There are a few cases of nonviolent opposition to the Nazis that were successful. But, not many people know about them, because any evidence that points to the achievements of nonviolence are often hidden away. Why? Because it threatens the system of violence that society has worked very hard to brain-wash us into believing.
To those who want to argue at the futile quality of Nonviolence, one should ask: Do you submit to every idea or notion just because the majority has accepted it as true? If there weren't those who were brave enough to challenge convention we'd still believe the world was flat or that the sun revolved around the earth. There must be those pioneers who are willing to live by a new belief to change the world.
This book is one of those to support a new way of perceiving and living a better life.

See all 8 customer reviews...

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