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Ecological restoration, the attempt to guide damaged ecosystems back to a previous, usually healthier or more natural, condition, is rapidly gaining recognition as one of the most promising approaches to conservation. In this book, William R. Jordan III, who coined the term "restoration ecology," and who is widely respected as an intellectual leader in the field, outlines a vision for a restoration-based environmentalism that has emerged from his work over twenty-five years.

Drawing on a provocative range of thinkers, from anthropologists Victor Turner, Roy Rappaport, and Mary Douglas to literary critics Frederick Turner, Leo Marx, and R.W.B. Lewis, Jordan explores the promise of restoration, both as a way of reversing environmental damage and as a context for negotiating our relationship with nature.

Exploring restoration not only as a technology but also as an experience and a performing art, Jordan claims that it is the indispensable key to conservation. At the same time, he argues, restoration is valuable because it provides a context for confronting the most troubling aspects of our relationship with nature. For this reason, it offers a way past the essentially sentimental idea of nature that environmental thinkers have taken for granted since the time of Emerson and Muir.

• Sales Rank: #1618537 in Books
• Published on: 2003-06-01
• Original language: English
• Number of items: 1
• Dimensions: 9.02" h x .75" w x 5.98" l, 1.10 pounds
• Binding: Hardcover
• 264 pages

Most helpful customer reviews

12 of 13 people found the following review helpful.
Way more than eco-philosophy
By Paul Grant
Bill Jordan says restoration is the only approach to ecological stewardship that will last in the long run, which is the only run that counts. Restoration assumes a heavy human hand, exactly something that rubs the nature-as-sacred camp the wrong way. Jordan proposes a metaphor for guiding ecology: community. One reason both "liberal" and "conservative" politicians and activists scorn restoration ecology is because we hate community. We like having friends, but true community is very costly, an observation in line with scripture. True community goes against sinful nature, and requires society's full efforts to avoid disintegration.

Jordan lists four stages of a human's community involvement in life. These four struck me as very important for understanding life, but less important for building ecological principles:

1. I am not God. (Some people never figure this out)

2. Get a Job. (We all need to contribute to the world)

3. Giving Gifts. (Giving connects others to us)

4. Receiving Gifts. (Receiving connects us to others)

This one surprised me. How is receiving a greater communal than giving? It's a simple answer that is changing my life: receiving a gift binds us to someone else, while giving a gift only binds others to us. As long as we only give and never receive, no one has any claim on us and we retain absolute control over the relationship.

The Sunflower Forest is a science book that taught me more about community than many books ostensibly about community. It's also an insightful, if a little "out there" treatise on restoration ecology. The lessons are profound, but the policy recommendations - a debate within a narrow field of eco-philosophers - will date very quickly.

14 of 18 people found the following review helpful.
The Sunflower Forest
By Peter Friederici
Ecological restoration has often been viewed as either a fringe hobby -- a few aficionados re-creating a patch of prairie on weekends -- or as a distraction from the vital and politically charged work of preserving more or less undisturbed landscapes. But William R. Jordan III argues that it's vital to the preservation of the Earth's ecosystems, and to ourselves. Jordan, founder of the journal Ecological Restoration, writes that restoration is "a way of achieving an ecologically close relationship with the rest of nature," as well as "a context for confronting the most troubling aspects of our relationship with our fellow creatures." The Sunflower Forest is an important book about a practice that is, in coming years, bound to become one of the most important ways we deal with our surroundings. Thanks to Jordan's wide-ranging intellect and compelling writing, it's also a great pleasure to read.

3 of 3 people found the following review helpful.
Denying shame has gotten us where we are
By EJ Tangel
Bill Jordan is one of this country's most radical and deep thinking environmental philosophers. On the tenth anniversary of the publishing of his landmark work, The Sunflower Forest: Ecological Restoration and the New Communion with Nature, we need this book more than ever. Wrangling with our most basic connections to nature Jordan finds not only truth and beauty, but troubling complexity all but ignored by environmentalists and the broader culture at large. His work is not just about the environment--it is about us, deeply, as humans, as relational beings--and so maps onto everything we do, from our day-to-day lives to our policy making both domestically and internationally. His erudition and writing style are reminiscent of Joseph Campbell, but more pointedly, in the true tradition of philosophy, Jordan is asking us to ask ourselves, "How should we live?"

Jordan's concept of shame is central to his work. For Jordan, shame is the acknowledgement of our complex and demanding interconnection with, and reliance on the life and death of the "other" whether plant or animal. Critically, shame is not guilt, a common and misleading conflation. While guilt can be addressed by corrections in one's behavior (from apology to redress), shame is irresolvable because it is the awareness and acknowledgement of complete dependence and inter-dependence. Consumption, therefore, is an occasion for that awareness, an occasion for shame that must be recognized and dealt with.

It is shame-denial that has brought us to our current ecological condition of crisis, enabling as it does, thoughtless and endlessly increasing consumption. It is shame-denial that enables us to live our day-to-day economic lives consuming the world's resources, exploiting cheap labor in Asia and the Global South, while allowing unemployment, poverty and hunger to exist both here and abroad.

I've been thinking lately that Washington DC embodies in a microcosm what is wrong with our culture--and by extension with our relationship to nature. In the capital of the world's richest nation we find immeasurable wealth and power existing side-by-side with severe poverty, violence and destitution, as if a verdant rain forest would sprout in a dust-bowl field. In other words, there's nothing natural about Washington DC. This is an illuminating way to understand ourselves, since nature/culture are forever bound--the one is the other--and both the environment and people are suffering because of the denial of shame--the denial of dependence. And so it is productive to ask how we let such an unnatural and oxymoronic, condition to exist. Have the wealthy and powerful in Washington DC--and by extension all of us--no shame? As Voltaire famously said, "The comfort of the rich depends on an abundant supply of the poor." Shame offers us a new/old way to look at ourselves.

Jordan urges us to consider the importance of facing our shame by carefully devising rituals and performances that enrich both us, as human beings, and the ecological system from which we come, and of necessity, must be relationally bound. These are what Jordan calls "technologies of the imagination" that ground us as humans and reveal our embededness in nature and enable us to move from shame to beauty. It is the same with our relations to each other. Jordan's vision is not austere; he is in no way remonstrative. Jordan doesn't impel us towards a bleak future, but instead towards the richness of what it means to be human living in the wealth of nature. The process is not easy, but instead troubling and difficult. Yet denying shame has gotten us where we are--and will certainly propel us into a more dystopian climate-corrupted future. To deny shame is to embrace ignorance. Worse, it is license to exploit; it is freedom without responsibility. Embracing shame allows us to live richly with each other and nature.

The Sunflower Forest should be widely read and discussed for its probing of our condition and its illumination of who were are as humans: complex, inter-relational and embedded beings in need of the means to negotiate our way, with each other and the natural world. In short, "How should we live?" That is the conversation so sorely needed, yet near universally ignored and denied, especially by those who are calling themselves the "new environmentalists". That is the conversation we need to have, posthaste.

EJ Tangel, MA
Chicago
April 26, 2013

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>> Ebook American Sensations: Class, Empire, and the Production of Popular Culture (American Crossroads), by Shelley Streeby

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This innovative cultural history investigates an intriguing, thrilling, and often lurid assortment of sensational literature that was extremely popular in the United States in 1848--including dime novels, cheap story paper literature, and journalism for working-class Americans. Shelley Streeby uncovers themes and images in this "literature of sensation" that reveal the profound influence that the U.S.-Mexican War and other nineteenth-century imperial ventures throughout the Americas had on U.S. politics and culture. Streeby's analysis of this fascinating body of popular literature and mass culture broadens into a sweeping demonstration of the importance of the concept of empire for understanding U.S. history and literature.

This accessible, interdisciplinary book brilliantly analyzes the sensational literature of George Lippard, A.J.H Duganne, Ned Buntline, Metta Victor, Mary Denison, John Rollin Ridge, Louisa May Alcott, and many other writers. Streeby also discusses antiwar articles in the labor and land reform press; ideas about Mexico, Cuba, and Nicaragua in popular culture; and much more. Although the Civil War has traditionally been a major period marker in U.S. history and literature, Streeby proposes a major paradigm shift by using mass culture to show that the U.S.-Mexican War and other conflicts with Mexicans and Native Americans in the borderlands were fundamental in forming the complex nexus of race, gender, and class in the United States.

• Sales Rank: #1496792 in Books
• Published on: 2002-05-10
• Original language: English
• Number of items: 1
• Dimensions: 9.02" h x .90" w x 5.98" l, 1.17 pounds
• Binding: Paperback
• 399 pages

From the Inside Flap
"American Sensations is an erudite and sweeping cultural history of the sensationalist literatures and mass cultures of the American 1848. It is the finest book yet written on the U.S.-Mexican War, and how it was central to the making and unmaking of U.S. mass culture, class, and racial formation."—José David Saldívar, author of Border Matters: Remapping American Cultural Studies

"A major work that will challenge current paradigms of nineteenth-century literature and culture. American Sensations brilliantly succeeds in remapping the volatile and shifting terrain of both national identity and literary history in the mid-nineteenth century."—Amy Kaplan, co-editor of Cultures of United States Imperialism

From the Back Cover
""American Sensations is an erudite and sweeping cultural history of the sensationalist literatures and mass cultures of the American 1848. It is the finest book yet written on the U.S.-Mexican War, and how it was central to the making and unmaking of U.S. mass culture, class, and racial formation."--Jose David Saldivar, author of "Border Matters: Remapping American Cultural Studies

"A major work that will challenge current paradigms of nineteenth-century literature and culture. "American Sensations brilliantly succeeds in remapping the volatile and shifting terrain of both national identity and literary history in the mid-nineteenth century."--Amy Kaplan, co-editor of "Cultures of United States Imperialism

About the Author
Shelley Streeby is Associate Professor of Literature at the University of California, San Diego, and a contributor to Post-Nationalist American Studies, edited by John Carlos Rowe (California, 2000).

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5 of 6 people found the following review helpful.
ground breaking
By A Customer
American Sensations is a brilliant book, useful to students, professors and other readers interested in the history of popular culture and US imperialism. Well written and researched, Streeby's analysis of popular culture regarding the US/Mexican War--a conflict often overlooked in accounts of US cultural history--is stunning. This is a real classic destined to be read for years to come by students and scholars in American Studies, Latin American Studies, and Chicana/o Studies. And given current debates over US imperialism in the Middle East, American Sensations should be required reading for anyone interested in how the past continues to shape our present moment.

0 of 0 people found the following review helpful.
A great look at popular literature from the 1840s-1860s
By Amazon Customer
A great look at popular literature from the 1840s-1860s. It's a very dense read, but if you are familiar with the time period it has some fascinating discussions about race, class and imperial expansion in both the United States and Mexico.

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^ Ebook Free Black, Brown, Yellow, and Left: Radical Activism in Los Angeles (American Crossroads), by Laura Pulido

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Laura Pulido traces the roots of third world radicalism in Southern California during the 1960s and 1970s in this accessible, wonderfully illustrated comparative study. Focusing on the Black Panther Party, El Centro de Acción Social y Autonomo (CASA), and East Wind, a Japanese American collective, she explores how these African American, Chicana/o, and Japanese American groups sought to realize their ideas about race and class, gender relations, and multiracial alliances. Based on thorough research as well as extensive interviews, Black, Brown, Yellow, and Left explores the differences and similarities between these organizations, the strengths and weaknesses of the third world left as a whole, and the ways that differential racialization led to distinct forms of radical politics. Pulido provides a masterly, nuanced analysis of complex political events, organizations, and experiences. She gives special prominence to multiracial activism and includes an engaging account of where the activists are today, together with a consideration of the implications for contemporary social justice organizing.

• Sales Rank: #317869 in Books
• Published on: 2006-01-16
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 1.00" w x 6.00" l, 1.09 pounds
• Binding: Paperback
• 361 pages

Review
"No other work deals in such detail with the complex relationships between racial nationalism and the radical left during that period. A powerful and resonant achievement. Highly recommended!"

From the Inside Flap
"Black, Brown, Yellow, and Left is unique. No other work deals in such detail with the complex relationships between racial nationalism and the radical left during the 1960's. A powerful and resonant achievement. Highly recommended!"—Howard Winant, author of The World is a Ghetto: Race and Democracy Since World War II

"Laura Pulido has written an invaluable study of the development of the multiracial Third World Left in southern California. She engages black, brown, and yellow radical activisms together, demonstrating how each vision differed but contributed to a movement that was ultimately more than the sum of its parts. Pulido's powerful excavation of the Third World Left's historical past provides reasons to hope for a more just, antiracist left future."—Lisa Lowe, author of Immigrant Acts: On Asian American Cultural Politics

" We so greatly needed this panorama of information and analysis. Finally we have an author putting the pieces together with commitment, enthusiasm and a view to the future."—Elizabeth (Betita) Martínez, activist and author of 500 Years of Chicano History/500 Años del Pueblo Chicano

About the Author
Laura Pulido is Associate Professor in the Department of Geography and Program in American Studies and Ethnicity at the University of Southern California. She is the author of Environmentalism and Economic Justice: Two Chicano Struggles in the Southwest (1996).

Most helpful customer reviews

15 of 22 people found the following review helpful.
Don't Study Los Angeles Without It
By Michael S. Murashige
While there are many books that purport to explain Los Angeles to their audiences, there are very few that succeed in balancing complex analytical work with solid, on-the-ground oral history from the region during this important period. Black, Brown, Yellow, and Left is one such book.

For those who live in Los Angeles, it is no secret that race plays an important, yet complex and often contradictory role in shaping the city. It is clear that Pulido has taken pains not only to keep this truth squarely in front of her throughout the book's well-crafted narration, but to do so without much of the hip jargon, opaque theorizing, and self-indulgent navel-gazing that typifies so much academic work in the social sciences and humanities these days. Pulido is the kind of careful and quietly brilliant scholar that seems in such short supply these days: one who has not forgotten that scholarly writing should strive, at once, for clarity and rigor.

Neither too erudite in its analysis or too simlistic in its formulations and explanations, Laura Pulido has written a book with something for virtually everyone. Whether it be urban or labor history, ethnic or american studies, leftist politics or gender studies, Black, Brown, Yellow, and Left is that rare book that has the potential to become a classic in several fields.

If you're looking for a book that will either simply valorize or condemn the 1960s radical left, then you will be better off seeking out one of the many self-absorbed polemicists that emerged from that period. But if it is meticulous scholarship and balanced assessment you are looking for, then look no further. It's time to make some room on your bookshelf next to Carey McWilliams, Reyner Banham, Kevin Starr, and Mike Davis.

1 of 1 people found the following review helpful.
I hate it when the author likes writing in academic style
By Lizzie
I hate it when the author likes writing in academic style. It was interesting but after words I got bored and I stop reading it. This book is interesting but I stop reading this for class since we didn't need it anymore.

0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
read it! you'll learn so much!

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The great Gothic cathedrals of Europe are among the most astonishing achievements of Western culture. Evoking feelings of awe and humility, they make us want to understand what inspired the people who had the audacity to build them. This engrossing book surveys an era that has fired the historical imagination for centuries. In it Robert A. Scott explores why medieval people built Gothic cathedrals, how they built them, what conception of the divine lay behind their creation, and how religious and secular leaders used cathedrals for social and political purposes. As a traveler’s companion or a rich source of knowledge for the armchair enthusiast, The Gothic Enterprise helps us understand how ordinary people managed such tremendous feats of physical and creative energy at a time when technology was rudimentary, famine and disease were rampant, the climate was often harsh, and communal life was unstable and incessantly violent.

While most books about Gothic cathedrals focus on a particular building or on the cathedrals of a specific region, The Gothic Enterprise considers the idea of the cathedral as a humanly created space. Scott discusses why an impoverished people would commit so many social and personal resources to building something so physically stupendous and what this says about their ideas of the sacred, especially the vital role they ascribed to the divine as a protector against the dangers of everyday life.

Scott’s narrative offers a wealth of fascinating details concerning daily life during medieval times. The author describes the difficulties master-builders faced in scheduling construction that wouldn’t be completed during their own lifetimes, how they managed without adequate numeric systems or paper on which to make detailed drawings, and how climate, natural disasters, wars, variations in the hours of daylight throughout the year, and the celebration of holy days affected the pace and timing of work. Scott also explains such things as the role of relics, the quarrying and transporting of stone, and the incessant conflict cathedral-building projects caused within their communities. Finally, by drawing comparisons between Gothic cathedrals and other monumental building projects, such as Stonehenge, Scott expands our understanding of the human impulses that shape our landscape.

• Sales Rank: #611582 in Books
• Published on: 2003-10-15
• Original language: English
• Number of items: 1
• Dimensions: .98" h x 6.00" w x 9.16" l, 1.34 pounds
• Binding: Hardcover
• 307 pages

Review
"Offers an intriguing study of the historical creation of the medieval cathedral in Europe. . . . provides a fresh eye and an engaging entree to how and why, for a 300-year period, Europeans created these lasting monuments. . . . Recommended particularly for public libraries with an interest in art and architecture."--"Library Journal

From the Inside Flap
"This is easily the best book I have seen on why the great cathedrals were built. The breadth of Scott’s scholarship is astonishing. As well as art history and architecture, he brings to bear his knowledge of subjects as wide apart as engineering, the sociology of religion, and the medieval economy. Only a handful of books truly throw light on the mystery of the cathedrals, and this is one of them."—Ken Follett, author of Pillars of the Earth

"Written in a lucid style and illustrated by dozens of sketches and photographs, this interdisciplinary survey is the best introduction to its subject now in print."—Gene Brucker, author of Florence: The Golden Age, 1138–1737

"Scott has given us a book of wonderful breadth and erudition with a refreshingly light touch. He describes vividly the social, political, and religious background to the great flowering of the Gothic cathedrals of Europe in the thirteenth and fourteenth centuries, and the strange mixture of motives that drove this astonishing building program. He is equally interested in the hard practical mechanics of hewing timber, erecting scaffolding, quarrying stone, transporting and hauling these materials as he is in the religious and liturgical symbolisms and conceptual schemes of the architects and their royal paymasters. Gothic cathedrals are astounding monuments to the aspirations of the human spirit reaching out to the divine, and this is a splendid introduction to the medieval worlds that produced them, written by an enthusiastic guide who really knows his subject and loves it."—Hugh Dickinson, Dean Emeritus of Salisbury Cathedral

"Gothic architecture is notoriously difficult to represent verbally, but in Scott’s book the joy so many people find in discovering these breathtakingly beautiful monuments is palpable."—Stephen Murray, author of Notre Dame, Cathedral of Amiens: The Power of Change in Gothic

"In this splendid book Scott writes precisely, clearly, and with a love for both words and his readers. Those who read these pages will come away enlightened, inspired, and with a more profound grasp of our civilization."—Neil J. Smelser, University Professor of Sociology, Emeritus, University of California, Berkeley

About the Author
Robert A. Scott is Associate Director Emeritus of the Center for Advanced Study in the Behavioral Sciences at Stanford University, and was previously Professor of Sociology at Princeton University for 18 years. He is the coauthor of Why Sociology Does Not Apply (1979); author of Making of Blind Men (1969); editor of several collections of essays about stigma, deviancy, and social control; and author of numerous articles, book chapters, and essays on related topics.

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39 of 40 people found the following review helpful.
Not devoid of shortcomings !
By Pierre Gauthier
This work is largely successful at describing and explaining the historical and sociological context pertaining to the construction of gothic cathedrals.

Some important shortcomings should however be pointed out.

First, the title is misleading since the book is very much centered on England, and specifically on Salisbury, whereas gothic cathedrals blossomed first and foremost on the Continent. 'The Gothic Enterprise in England' would have been more appropriate.

Also, the author carries the strange notion that 12th and 13th century societies were poor and wretched whereas the very cathedrals discussed are proof to the contrary. He clearly is not familiar with Régine Pernoud's work, initially published in the 1970's, that debunks many myths concerning the Middle Ages!

One of the book's most fascinating chapters, placed at the very end, deals with Stonehenge. Why however include it in this work since there is no indication that Stonehenge had any influence whatsoever on gothic construction?

Finally, the black and white photographs, possibly shot by the author, are sadly not up to par with the topic.

0 of 0 people found the following review helpful.
Mostly Borrowed from other Scholarship - Not Much New Here; Best Parts are the "How" - the "Why" is Disjointed
By Jim Schmidt
Review: Meh. Disappointed - understood going in that this was more of a "why" book than a "how" book when it came to what he refers to as the "Cathedral Crusade" - which is a shame, because the "how" parts were certainly the strongest in this book - the "why" parts are really short stand-alone essays on various thoughts on "sacred spaces" and medieval life, generally - not long enough to fully develop the idea, hardly original - mostly borrowed from other writers, and in several cases the relation to the cathedrals is an end-of-chapter after-thought (Part V, especially) - the stitched-on conclusion re: Stonehenge seemed more of indulging a personal interest, than part of the whole narrative - the rhetorical questions throughout became very tiresome - I will thank the author to directing me to some supporting works on medieval life, but that's about it.

7 of 7 people found the following review helpful.
Outstanding book
By Deb&Kasmir
The people who reviewed this book before me did a great job of describing this wonderful book, so I'm not going to repeat their observations. However, one aspect of the work I personally appreciated was the way Scott examined the cathedrals as architectural responses to the cultural context. His analysis is clear and straightforward. Excellent book!

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Social drinking is an accepted aspect of working life in Japan, and women are left to manage their drunken husbands when the men return home, restoring them to sobriety for the next day of work. In attempting to cope with their husbands' alcoholism, the women face a profound cultural dilemma: when does the nurturing behavior expected of a good wife and mother become part of a pattern of behavior that is actually destructive? How does the celebration of nurturance and dependency mask the exploitative aspects not just of family life but also of public life in Japan? The Too-Good Wife follows the experiences of a group of middle-class women in Tokyo who participated in a weekly support meeting for families of substance abusers at a public mental-health clinic. Amy Borovoy deftly analyzes the dilemmas of being female in modern Japan and the grace with which women struggle within a system that supports wives and mothers but thwarts their attempts to find fulfillment outside the family. The central concerns of the book reach beyond the problem of alcoholism to examine the women's own processes of self-reflection and criticism and the deeper fissures and asymmetries that undergird Japanese productivity and social order.

• Sales Rank: #639557 in Books
• Published on: 2005-12-29
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .63" w x 6.00" l, .78 pounds
• Binding: Paperback
• 251 pages

From the Inside Flap
“Amy Borovoy has beautifully portrayed the dilemmas of being female in modern Japan, and the nuanced grace with which these women manage their particular difficulties. She has created an indelible portrait of the way women struggle with the eternal questions of being mothers and wives, in particularly Japanese ways, and the ways in which they reflect upon and manage their lives. It is a remarkable book.”—Tanya Luhrmann, Max Palevsky Professor in the Committee on Human Development, University of Chicago

About the Author
Amy Borovoy is Assistant Professor of East Asian Studies at Princeton University.

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From the cut-up Cubist collages of Picasso to the monumental filmic narratives of Fiona Banner, and from the schoolboy subversion of Magritte to the demotic scrawl of Cy Twombly, the use of words is one of the defining features of modern art. Indeed, with many contemporary works, only those without text are remarkable. Exploring the strange, unsettling, and often humorous results when words escape their traditional confines and inhabit artworks, this book is the first sustained consideration of the manifold infiltrations of the written word into the visual arts from the nineteenth century to the present day.

Simon Morley traces the growing bond between word and image, explaining how artists have harnessed the resulting tension to form identities, challenge authority, and make sense of a world in constant change. Writing on the Wall discusses familiar movements from the Impressionists to the present day, focusing on many works of modern art such as Dada nonsense words, Surrealist painting-poems, Constructivist typographies, oriental calligraphy, postwar gestural painting, and much more. As he considers these works, Morley reveals how artists have responded to an environment increasingly saturated with words, and also asks how the mass media have adopted and adapted artistic devices in propaganda, typography, and advertising. The book ends with a look at current developments in the world of hypertext, where word and image have at last found an essential unity.

• Sales Rank: #667058 in Books
• Published on: 2005-06-06
• Original language: English
• Number of items: 1
• Dimensions: 10.88" h x .75" w x 8.50" l, 2.40 pounds
• Binding: Paperback
• 224 pages

Review
"An intriguing survey of word-imbued artworks of the modern period, Writing on the wall will surely be a touchstone for readings on the relationship between language and art across time. While filling a gap in the current scholarship on text in art, Morley has crafted in clear, accessible prose, a study that is easily extrapolated beyond modernism, Indeed beyond the fine arts. It is an adventuresome work, and extremely stimulating."

From the Inside Flap
"An intriguing survey of word-imbued artworks of the modern period, Writing on the Wall will surely be a touchstone for readings on the relationship between language and art across time. While filling a gap in the current scholarship on text in art, Morley has crafted in clear, accessible prose, a study that is easily extrapolated beyond modernism, indeed beyond the fine arts. It is an adventuresome work, and extremely stimulating."—Kathy O'Dell, author of Contract with the Skin: Masochism, Performance Art, and the 1970s

From the Back Cover
"An intriguing survey of word-imbued artworks of the modern period, Writing on the Wall will surely be a touchstone for readings on the relationship between language and art across time. While filling a gap in the current scholarship on text in art, Morley has crafted in clear, accessible prose, a study that is easily extrapolated beyond modernism, indeed beyond the fine arts. It is an adventuresome work, and extremely stimulating."--Kathy O'Dell, author of "Contract with the Skin: Masochism, Performance Art, and the 1970s

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0 of 5 people found the following review helpful.
great buy!
By goldencostello
had to purchase this for a class, and was happy to receive the book in perfect condition, and for a fair price! Happy with this purchase

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@ Ebook Gold: The California Story, by Mary Hill

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The discovery of gold in 1848 catapulted California into statehood and triggered environmental, social, political, and economic events whose repercussions are still felt today. Mary Hill combines her scientific training with a flair for storytelling to present the history of gold in California from the distant geological past through the wild days of the Gold Rush to the present.

The early days of gold fever drew would-be miners from around the world, many enduring great hardships to reach California. Once here, they found mining to be backbreaking work and devised machines to help recover gold. These machines pawed gravel from river bottoms and tore apart mountainsides, wreaking environmental havoc that silted rivers, ruined farmlands, and provoked the world's first environmental conflict settled in the courts. Native Americans were nearly wiped out by invading miners or their diseases, and many Spanish-speaking settlers—Californios—were pushed aside.

Hill writes of gold's uses in today's world for everything from coins to coffins, gourmet foods to spacecraft. Her comprehensive overview of gold's impact on California includes illustrated explanations of geology and mining in nontechnical language as well as numerous illustrations, maps, and photographs.

• Sales Rank: #2402330 in Books
• Published on: 2002-08-05
• Original language: English
• Number of items: 1
• Dimensions: 10.00" h x .88" w x 7.00" l, 1.40 pounds
• Binding: Paperback
• 317 pages

Review
"In Gold: The California Story, Mary Hill writes that well before 1848-when James Marshall unearthed a pea-size golden nugget near Sutter's sawmill and began the California gold rush-sixteenth century rumors of golden cities spurred Spanish expeditions to land north of Mexico."-Nicole LaPorte, The New Yorker "A lively and engaging book on the ecology and human history of California gold.... Addresses a complex topic clearly and comprehensively."-Rachel D. Shaw, Journal of the West "A book that should remain definitive for a very long time."-Sally Zanjani, Western Historical Quarterly

From the Inside Flap
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"Mary Hill's first-rate narrative is a remarkable synthesis. She skillfully weaves together the geology, history, and romance of the gold story in a lively and informative style. Anyone interested in California history, especially the Gold Rush, will relish this book."—Martin Ridge, Huntington Library

From the Back Cover
"This is a very readable account of gold mining in California from the earliest days to the present and of its economic, social, cultural, and literary consequences. It should provide many evenings of enjoyable and informative reading."-Paul C. Bateman, U.S. Geological Survey, retired "Mary Hill's first-rate narrative is a remarkable synthesis. She skillfully weaves together the geology, history, and romance of the gold story in a lively and informative style. Anyone interested in California history, especially the Gold Rush, will relish this book."-Martin Ridge, Huntington Library

Most helpful customer reviews

1 of 1 people found the following review helpful.
Very Interesting Book
By Charles D. Hughes
I recently took a geology class regarding "California's Gold Country" and this was the text the teacher recommended. Zipping to Amazon.COM I discovered they did indeed have it (no doubt!). Needless to say, it contains quite a colorful and amazing history of why California was the place to go for gold. Students of history or individuals wanting to learn more about the Gold Rush era of California I would definetely recommend this book. This student in geology certainly did.

0 of 0 people found the following review helpful.
Interesting history - enjoyable read
By DMM
I bought this for someone else and I am still getting rave reviews from the recipient. It has much more history than is in most "Gold Rush" books. They are thoroughly enjoying it and say then have trouble putting it down.

1 of 7 people found the following review helpful.
Revisionist history at its finest
By A Customer
If you enjoy reading what could have been as to what really happened through the lens of modern times please read this book. If "jawboning" issues in the light of political correctness is for you...read the book! If one is interested in scholarly history; however, don't waste your time.

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@ PDF Ebook Total Confinement: Madness and Reason in the Maximum Security Prison (California Series in Public Anthropology), by Lorna A. Rhodes

PDF Ebook Total Confinement: Madness and Reason in the Maximum Security Prison (California Series in Public Anthropology), by Lorna A. Rhodes

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In this rare firsthand account, Lorna Rhodes takes us into a hidden world that lies at the heart of the maximum security prison. Focusing on the "supermaximums"—and the mental health units that complement them—Rhodes conveys the internal contradictions of a system mandated to both punish and treat. Her often harrowing, sometimes poignant, exploration of maximum security confinement includes vivid testimony from prisoners and prison workers, describes routines and practices inside prison walls, and takes a hard look at the prison industry. More than an exposé, Total Confinement is a theoretically sophisticated meditation on what incarceration tells us about who we are as a society.

Rhodes tackles difficult questions about the extreme conditions of confinement, the treatment of the mentally ill in prisons, and an ever-advancing technology of isolation and surveillance. Using her superb interview skills and powers of observation, she documents how prisoners, workers, and administrators all struggle to retain dignity and a sense of self within maximum security institutions. In settings that place in question the very humanity of those who live and work in them, Rhodes discovers complex interactions—from the violent to the tender—among prisoners and staff. Total Confinement offers an indispensable close-up of the implications of our dependence on prisons to solve long-standing problems of crime and injustice in the United States.

• Sales Rank: #556893 in Books
• Published on: 2004-02-26
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .88" w x 6.00" l, 1.18 pounds
• Binding: Paperback
• 329 pages

From the Inside Flap
"Ethnographically rich, thick with gritty details and original insights, Rhodes's revelatory book about US prisons--those who are incarcerated in them and those who run them--should be read by everyone who cares about social justice and the nature of power."—Emily Martin, author of Flexible Bodies

"Thank you, Lorna Rhodes, for taking us to where the 'worst of the worst' are kept out of sight and out of mind in the new millennium. This powerful ethnography of the correctional high tech machine reveals how institutional power suffocates individual agency and redefines rationality and insanity. Good, bad and evil fall by the wayside."—Philippe Bourgois, author of In Search of Respect: Selling Crack in El Barrio

"A truly remarkable book. The inside look at supermax confinement alone is worth the price of admission, and the prose sometimes verges on poetry. This is meticulous scholarship."—Hans Toch, author of Living in Prison

From the Back Cover
"Ethnographically rich, thick with gritty details and original insights, Rhodes's revelatory book about US prisons--those who are incarcerated in them and those who run them--should be read by everyone who cares about social justice and the nature of power."--Emily Martin, author of "Flexible Bodies

"Thank you, Lorna Rhodes, for taking us to where the 'worst of the worst' are kept out of sight and out of mind in the new millennium. This powerful ethnography of the correctional high tech machine reveals how institutional power suffocates individual agency and redefines rationality and insanity. Good, bad and evil fall by the wayside."--Philippe Bourgois, author of "In Search of Respect: Selling Crack in El Barrio

"A truly remarkable book. The inside look at supermax confinement alone is worth the price of admission, and the prose sometimes verges on poetry. This is meticulous scholarship."--Hans Toch, author of "Living in Prison"

About the Author
Lorna A. Rhodes, Professor of Anthropology at the University of Washington, is author of Emptying Beds: The Work of an Emergency Psychiatric Unit (California, 1991).

Most helpful customer reviews

8 of 9 people found the following review helpful.
Not your typical textbook
By TaniaLeeKarate
This provides detailed (and interesting!) insights into the American penal system. Normally, I find textbooks to be bland, and to read like stereo instructions. In Total Confinement, Rhodes interjects a lot of narrative and storytelling with fact-based research, making the entire text accessible and easy to grasp. I agree with the other reviews, that this is a must-read for anyone wondering what prisons do to American society as a whole, and to the prison population itself.

7 of 10 people found the following review helpful.
Highly recommended
By Karen Franklin
This is a meticulously researched and theoretically sophisticated expose of a deeply hidden yet increasingly important facet of American culture. As the United States more and more becomes a prison nation, books like this will become essential reading not only for scholars but for average citizens.

2 of 3 people found the following review helpful.
A Maximum Security Prison
By Richard S. Stern/Richard Stern
Total confinement is a custody officer's training manual when working solitary confinement. Provides real to life nuts and bolts operations in the daily routine of correctional facilities that house the worst of the worst prisoners. Total Confinement depicts the importance of experienced custody officers working in these types of facilities and controlled movement is the key element to running any correctional facilities especially a maximum security facility. Nicely written and experience based.

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>> Ebook A Mediterranean Society: An Abridgment in One Volume, by S. D. Goitein

Ebook A Mediterranean Society: An Abridgment in One Volume, by S. D. Goitein

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S. D. Goitein's magisterial five-volume work on Jewish communities in the medieval Mediterranean world offers an unparalleled view of how people lived, traveled, worshiped, and conducted their economic and social affairs. Living under Muslim rule, the Jews became increasingly urbanized and played a significant part in an expanding world economy. As major actors in the flourishing intellectual life of the period, they forged much of what constitutes traditional Judaism today and served as a conduit of Islamic learning to the Christian West.

Goitein's masterpiece is now abridged and reworked by Jacob Lassner in a single volume that captures the essential narratives and contexts of the original. To understand the value of this distillation, we need to picture the remarkable, all-but-impenetrable cache of unique letters and documents found by accident in a geniza, or repository of sacred writings, in Old Cairo. These materials, unlike historical chronicles and literary texts of the time, represent the living experiences of people in a wide variety of settings throughout the entire Mediterranean and stretching as far east as the Indian subcontinent.

Goitein explored and interpreted these texts as no other scholar had. Lassner, in turn, makes Goitein's findings available to a wide audience and then moves on to raise a host of new and tantalizing questions about the Jews of the Geniza and the relationship of their community to the hegemonic Muslim society.

• Sales Rank: #998104 in Books
• Published on: 2003-12-01
• Original language: English
• Number of items: 1
• Dimensions: 8.98" h x 1.25" w x 5.96" l, 1.58 pounds
• Binding: Paperback
• 525 pages

Review
"The abridgment is excellent, and the treatment of the topics ought to have a wide appeal to students and scholars alike.... Lassner has brought to vibrant and new life a great scholar's masterpiece."

From the Inside Flap
"Lassner has done a great service to the community. . . . The greatest value of this outstanding contribution is in making the vast geniza data accessible, while providing contextualization."—Reuven Firestone, Hebrew Union College, Jewish Institute of Religion

"The abridgment is excellent, and the treatment of the topics ought to have a wide appeal to students and scholars alike. . . . Lassner has brought to vibrant and new life a great scholar's masterpiece."—Rudi Paul Lindner, University of Michigan

From the Back Cover
"Lassner has done a great service to the community. . . . The greatest value of this outstanding contribution is in making the vast geniza data accessible, while providing contextualization."--Reuven Firestone, Hebrew Union College, Jewish Institute of Religion

"The abridgment is excellent, and the treatment of the topics ought to have a wide appeal to students and scholars alike. . . . Lassner has brought to vibrant and new life a great scholar's masterpiece."--Rudi Paul Lindner, University of Michigan

Most helpful customer reviews

4 of 4 people found the following review helpful.
A rare view into another world
By John G. Bennett
This is on the one hand a relatively specialized book. It is a condensation of a purely scholarly work which originally filled 5 volumes, and which in turn was distilled from tens of thousands of fragments of documents dating from old Cairo, between about 970 CE and 1250 CE. Prof. Goitein made it his life work to turn these fragments into a coherent picture.

What makes it mesmerizing for a layman like me is the rich view into another way of life. A life where every ordinary thing - family, love, commerce, property, religion, law, travel, taxes, education, slavery, ambition, scholarship - it all just comes together differently. The documents are not merely made coherent, but you come to appreciate how, and why, people 1,000 years ago organized their society and themselves to survive and prosper in a difficult, closed, and risky world. When you finish you will have a new insight into not just the world of antiquity, but some societies even today where the social norms resemble old Cairo more than they do the western tradition. Still alien to me, but less incomprehensible.

1 of 5 people found the following review helpful.
Goitein condenced
By Peter Ellinger
Thoutough but boring. Still, you can find in it information needed, for instance on figures like Ibn Ezra and Maimonides.

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