# Download Scandals and Scoundrels: Seven Cases That Shook the Academy, by Ron Robin

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Scandals and Scoundrels: Seven Cases That Shook the Academy, by Ron Robin

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Ron Robin takes an intriguing look at the shifting nature of academic and public discourse in this incisive consideration of recent academic scandals—including charges of plagiarism against Stephen Ambrose, Derek Freeman's attempt to debunk Margaret Mead's research, Michael Bellesiles's alleged fabrication of an early America without weapons, Joseph Ellis's imaginary participation in major historical events of the 1960s, Napoleon Chagnon's creation and manipulation of a "Stone Age people," and accusations that Nobel Peace Prize winner Rigoberta Menchú's testimony on the Maya holocaust was in part fiction. Scandals and Scoundrels makes the case that, contrary to popular imagery, we're not living in particularly deviant times and there is no fundamental flaw permeating a decadent academy. Instead, Robin argues, latter-day scandals are media events, tailored for the melodramatic and sensationalist formats of mass mediation. In addition, the contentious and uninhibited nature of cyberdebates fosters acrimonious exposure. Ron convincingly demonstrates that scandals are part of a necessary process of rule making and reinvention rather than a symptom of the bankruptcy of the scientific enterprise.

• Sales Rank: #1395010 in Books
• Published on: 2004-10-11
• Original language: English
• Number of items: 1
• Dimensions: 8.20" h x .73" w x 5.62" l, .77 pounds
• Binding: Paperback
• 289 pages

From the Inside Flap
"Ron Robin's Scandals and Scoundrels is a clever provocation but more: It opens into a fascinating tour through treacherous postmodern territories, culminating in an economical explanation for what he calls 'the inflation in deviancy spectacles,' all in stylish prose, no mystification added."—Todd Gitlin, author of Letters to a Young Activist

"An engrossing and convincing account of how the academic professions have lost much of their jurisdiction for disputes about scholarly integrity to popular media that prefer contentious litigation to patient, reasoned deliberation."—David A. Hollinger, author of Postethnic America: Beyond Multiculturalism

"Robin proposes a new way of thinking about the radically shifting nature of academic disciplines by using a set of recent controversies to explore the current state of society itself. Wonderfully readable, this is a book which should have a large and appreciative audience."—Marilyn Young, author of The Vietnam Wars, 1945-1990

"Robin presents a rather distressing picture of the academy as its boundaries have become more and more blurred and its standards indistinguishable from those of the rest of society. Cases of intellectual dishonesty and lack of professional integrity have often become sensational news, conveying a picture of academic corruption to the wider world, even as the latter has induced scholars to commodify their research and writing to suit its tastes. It is a fascinating story that says as much about contemporary society and culture as about the academic disciplines."—Akira Iriye, author of Global Community

From the Back Cover
"Ron Robin's "Scandals and Scoundrels is a clever provocation but more: It opens into a fascinating tour through treacherous postmodern territories, culminating in an economical explanation for what he calls 'the inflation in deviancy spectacles, ' all in stylish prose, no mystification added."--Todd Gitlin, author of "Letters to a Young Activist

"An engrossing and convincing account of how the academic professions have lost much of their jurisdiction for disputes about scholarly integrity to popular media that prefer contentious litigation to patient, reasoned deliberation."--David A. Hollinger, author of "Postethnic America: Beyond Multiculturalism

"Robin proposes a new way of thinking about the radically shifting nature of academic disciplines by using a set of recent controversies to explore the current state of society itself. Wonderfully readable, this is a book which should have a large and appreciative audience."--Marilyn Young, author of "The Vietnam Wars, 1945-1990

"Robin presents a rather distressing picture of the academy as its boundaries have become more and more blurred and its standards indistinguishable from those of the rest of society. Cases of intellectual dishonesty and lack of professional integrity have often become sensational news, conveying a picture of academic corruption to the wider world, even as the latter has induced scholars to commodify their research and writing to suit its tastes. It is a fascinating story that says as much about contemporary society and culture as about the academic disciplines."--Akira Iriye, author of "Global Community

About the Author
Ron Robin is Professor of History and Communication Studies and Dean of Students at the University of Haifa. He is the author of The Making of the Cold War Enemy: Culture and Politics in the Military Intellectual Complex (2001), The Barbed Wire College: Reeducating German POWs in the United States during World War II (1995), and Enclaves of America: The Rhetoric of American Political Architecture Abroad, 1900–1965 (1992).

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0 of 0 people found the following review helpful.
Five Stars
By Laura Skylark
Outstanding.

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# Free PDF Genders in Production: Making Workers in Mexico's Global Factories, by Leslie Salzinger

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Genders in Production: Making Workers in Mexico's Global Factories, by Leslie Salzinger

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In this engrossing and original book, Leslie Salzinger takes us with her into the gendered world of Mexico's global factories. Her careful ethnographic work, personal voice, and sophisticated analysis capture the feel of life inside the maquiladoras and make a compelling case that transnational production is a gendered process. The research grounds contemporary feminist theory in an examination of daily practices and provides an important new perspective on globalization.

• Sales Rank: #172709 in Books
• Published on: 2003-04-03
• Original language: English
• Number of items: 1
• Dimensions: .60" h x 6.74" w x 8.92" l, .75 pounds
• Binding: Paperback
• 232 pages

Review
"This is a book Border Studies has been waiting for--a pathbreaking study of the gendered meanings and identities at work in the transnational assembly plants that dominate the social landscape of Ciudad Juarez, Mexico.... It will surely become a classic in the field."

"Through case studies of employment and management in four different factories, Salzinger beautifully demonstrates the variability, and flexibility of concepts of masculinity and femininity, the fact that they are context-dependent performative behaviors. The ethnographically based empirical data, as well as the sophisticated mastery of theory, make this book an unusually rich contribution to the fields of international labor and gender studies."

"[Salzinger] launches a new phase in the study of women employed in offshore production, with significant implications for women in factories generally."

From the Inside Flap
"The title of this book has a double resonance: it refers to the ways that factories on the U.S.-Mexican border both structure gendered labor forces and, in so doing, produce gender itself. Through case studies of employment and management in four different factories, Salzinger beautifully demonstrates the variability and flexibility of concepts of masculinity and femininity, the fact that they are context-dependent performative behaviors. The ethnographically based empirical data provided, as well as the sophisticated mastery of theory, make this book an unusually rich contribution to the fields of international labor and gender studies."—Joan W. Scott, author of Gender and the Politics of History

"This is an archeology of gendering. Salzinger brilliantly traces the specificities, variability, and contingencies in the emergence of gendered subjects across different production environments, moving from femininity as attribute to femininity as generative. In so doing she launches a new phase in the study of women employed in off-shore production, with significant implications for women in factories generally."—Saskia Sassen, author of The Global City

"This is a book Border Studies has been waiting for—a pathbreaking study of the gendered meanings and identities at work in the transnational assembly plants that dominate the social landscape of Ciudad Juárez, Mexico…. It will surely become a classic in the field."—Pablo Vila, author of Crossing Borders, Reinforcing Borders, and Ethnography at the Border

From the Back Cover
"The title of this book has a double resonance: it refers to the ways that factories on the U.S.-Mexican border both structure gendered labor forces and, in so doing, produce gender itself. Through case studies of employment and management in four different factories, Salzinger beautifully demonstrates the variability and flexibility of concepts of masculinity and femininity, the fact that they are context-dependent performative behaviors. The ethnographically based empirical data provided, as well as the sophisticated mastery of theory, make this book an unusually rich contribution to the fields of international labor and gender studies."--Joan W. Scott, author of "Gender and the Politics of History

"This is an archeology of gendering. Salzinger brilliantly traces the specificities, variability, and contingencies in the emergence of gendered subjects across different production environments, moving from femininity as attribute to femininity as generative. In so doing she launches a new phase in the study of women employed in off-shore production, with significant implications for women in factories generally."--Saskia Sassen, author of "The Global City

"This is a book Border Studies has been waiting for--a pathbreaking study of the gendered meanings and identities at work in the transnational assembly plants that dominate the social landscape of Ciudad Juarez, Mexico. . . . It will surely become a classic in the field."--Pablo Vila, author of "Crossing Borders, Reinforcing Borders, "and "Ethnography at the Border"

Most helpful customer reviews

6 of 6 people found the following review helpful.
The exploitation of gender for profit
By Malvin
"Genders in Production" by Leslie Salzinger is a groundbreaking study about production processes in Mexico's maquiladoras. This fascinating book should appeal to academics, feminists, labor activists and others who may be interested in learning about the dynamic processes by which globalization exploits gender for profit. Importantly, Ms. Salzinger's keen insight and analysis helps open the door to imagining a world where gender stereotypes could be transcended and labor rights accorded more respect.

Ms. Salzinger's meticulous ethnographic work at four maquila factories helps her obtain an insider's view of how sexual identities struggle for recognition and reward on the shop floor. The author discusses how the "trope of feminity" deludes investors into locating factories in places where it is believed that female laborers will passively accept routinized work for low wages. However, as the facts on the ground depart from this fantasy, the struggle between capital and labor is observed to be gendered but nonetheless highly variable and contextual.

Ms. Salzinger dedicates one chapter apiece to her experiences at four manufacturing plants in northern Mexico. She cleverly assigns pseudonyms to describe the salient characteristics of each plant. For example, "Andromex" is a factory where male and female workers become almost androgenous through the development of similar work habits; "Anarchomex" is noteworthy for its embattled masculine workers conflicting both amongst themselves and with female co-workers to create nearly anarchic conditions of production; and so on. The writing in these chapters is vivid, engaging and intelligent, imparting glimpses into both the worker's daily struggle for survival and the logic of the managerial systems that controls and exploits these workers.

I found it interesting (if not disheartening) to learn that capital's strategy of dividing the working class by gender has proven to be remarkably effective. By redefining production as primarily women's work, employers can pay below-subsistance wages and offer scant benefits, job enrichment or advancement opportunities. As made clear through Ms. Salzinger's field research, these diminished career expectations deprive the working class of Mexico with the hope of achieving a better life and are frequently used as a threat to drive down wages in the U.S. and other industrialized nations.

In the final chapter, Ms. Salzinger draws on feminist writings to connect the trope of feminity with cultural norms that tend to devalue women through their association with domesticity. By discovering that gendered meanings in the workplace can be flexible, however, the author suggests that subjectivity may be contestable. If structures of power are a "concatenation of common-sense understandings" about women's perceived role in the home, she argues, then the reality of changed meanings forged in the crucible of workplace production may point the way in time to new, empowered definitions.

I highly recommend this book to demanding readers who may be interested in an original and thought-provoking thesis about gender and globalization.

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^ Fee Download Life Along the Silk Road, by Susan Whitfield

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In the first 1,000 years after Christ, merchants, missionaries, monks, mendicants, and military men traveled on the vast network of Central Asian tracks that became known as the Silk Road. Linking Europe, India, and the Far East, the route passed through many countries and many settlements, from the splendid city of Samarkand to tiny desert hamlets. Susan Whitfield creates a rich and varied portrait of life along the greatest trade route in history in a vivid, lively, and learned account that spans the eighth through the tenth centuries. Recounting the lives of ten individuals who lived at different times during this period, Whitfield draws on contemporary sources and uses firsthand accounts whenever possible to reconstruct the history of the route through the personal experiences of these characters.

Life along the Silk Road brings alive the now ruined and sand-covered desert towns and their inhabitants. Readers encounter an Ulghur nomad from the Gobi Desert accompanying a herd of steppe ponies for sale to the Chinese state; Ah-long, widow of a prosperous merchant, now reduced to poverty and forced to resort to law and charity to survive; and the Chinese princess sent as part of a diplomatic deal to marry a Turkish kaghan. In the process we learn about women's lives, modes of communication, weapons, types of cosmetics, methods of treating altitude sickness in the Tibetan army, and ways that merchants cheated their customers. Throughout the narrative, Whitfield conveys a strong sense of what life was like for ordinary men and women on the Silk Road--everyone from itinerant Buddhist monks, to Zoroastrians and Nestorian Christians seeking converts among the desert settlers, to storytellers, musicians, courtesans, diviners, peddlers, and miracle-workers who offered their wares in the marketplaces and at temple fairs. A work of great scholarship, Life along the Silk Road is at the same time extremely accessible and entertaining.

• Sales Rank: #533196 in Books
• Published on: 2001-08-06
• Original language: English
• Number of items: 1
• Dimensions: .68" h x 6.04" w x 9.13" l, .95 pounds
• Binding: Paperback
• 253 pages

Amazon.com Review
With a nod to the storytelling traditions of the ancient central Asian bazaars that it describes, Life Along the Silk Road is a wily half-breed of a history book. Mixing narrative and historic minutiae, each chapter introduces an inhabitant of the Silk Road at the end of the 10th century. Following the lives and stories of the Merchant, the Soldier, the Monk, the Courtesan, and others, Susan Whitfield brings the dramatic history of pre-Islamic central Asia down to a human scale, fleshing out the battles of conquest and trade with the details of everyday life.

Whitfield is the director of the British Library-sponsored Dunhuang Project, which makes a remarkable collection of ancient Silk Road manuscripts, including those acquired by legendary explorer Sir Aurel Stein, available on the Internet. Her knowledge of this treasure trove of primary material shows throughout the book. What is the choicest cut of meat from a camel? The hump. The Chinese recipe for curing possession by demons? It involves a number of ingredients, including a broiled centipede, with all the legs removed. What ancient Silk Road town was famous for its dancing girls? Read and see. --Ken Peavler

Review
"Enlightening new book. . . . recounts the history of the eastern Silk Road, from Samarkand to Chang'an, through 10 individuals--composites based on the historical record--who lived in different city-states along the eastern Silk Road from the 8th to the 10th centuries. Whitfield's skillfully crafted tales take readers on a journey back to the heyday of the Silk Road and enable them to relive its people's unusual existence."--Liya Li, "The Bloomsbury Review

From the Back Cover
For several centuries while Europe was in what have been called the Dark Ages, emperors in palaces of gold and jade, possessing every luxury that the known world had to offer, with scientific knowledge from Babylonia and China, medicine from Greece, India, and Tibet, and a myriad of artistic and cultural traditions, fought each other for control of the greatest trade route in history--the Silk Road. This book looks at the lives of people in these empires--from princesses to laborers--on the pre-Islamic Silk Road, before it was eclipsed by maritime trade.

Most helpful customer reviews

133 of 134 people found the following review helpful.
Transported in a Time Machine
By Amazon Customer
The period of the Middle and Late Tang, from around 700 to 900, is one of the most facinating eras of Chinese hisotry. In particular the An Lushan rebellion, around 750, brought about a change from an outward looking world culture to a gradually shrinking Chinese view of the world. Few good or lively books have been written about this period. Susan Whitfield has portrayed the period by a reconstruction of the life and times of ten individuals, all of them historical and ranging from a humble monk and soldier to a top salesman and a princess. At some pages, the reader may feel transported by a time machine: one hears the sounds, smells the smells and hears the multilingual crowds in the capital of Chang'an or the various desert posts. One major quality of this book is that it is not written solely from a Chinese point of view, but includes many details of the customs and perceptions of the peoples of Central Asia. The author has clearly digested a wealth of historical data and translated those into a book which one would like to read in one sitting - which is an inhuman undertaking given the sheer joy and shock of all the little anecdotes, background facts and human insights. No previous knowledge of Chinese history is necessary to relish these stories.

73 of 78 people found the following review helpful.
Vivid
By Daniel H. Bigelow
For historical dilettantes like me, it's easier to understand a time and place not through a recitation of the places and dates of battles and monarchial successions, but through the lives of people who lived then and there. Traditional histories say who won the battles, but not what life was like between those battles. Here, a qualified academic tries to accomodate people like me, showing Central and Eastern Asisa's history during the heyday of the Silk Road through a series of brief vingettes profiling the lives of various types of people who lived then. The professor's writing is stiff, but her intentions are honorable and her technique is effective. Her depiction of the Silk Road through its denizens drew me in with everyday detail from the period, which placed the greater historical details, like Chinese dynastic changes and which nations gained ascendancy at what time, into a context I could understand. I imagine others, including university students, might benefit from the author's methods.

25 of 27 people found the following review helpful.
Decent and entertaining introduction to the eastern Silk Road
By Tim F. Martin
_Life along the Silk Road_ by Susan Whitfield was an interesting introduction to the rich and varied history of the Silk Road, the fabled path (or really paths) that trade took between China and lands to the west. Not aiming to be a comprehensive history, the author took the unusual step of portraying the cultures and events of the eastern Silk Road between AD 750 and 1000 by showing how things looked to (and affected) ten different individuals. Though each chapter tended to focus on how key political events and foreign cultures appeared to each of the ten individuals the author did provide glimpses into the lives of these people.

Some are historic characters who actually existed, others are "composite," comprised of the details of several people. Owing to "relative richness of primary sources in Chinese" and partly because the author is a China historian, the individuals picked do tend to reflect a Chinese bias. It is also significant that China was the only empire that existed at both the beginning and the end of the first millennium AD and before the spread of Islam to the eastern Silk Road.

However, Chinese bias aside, the story is clearly about Central Asia, albeit as seen through the eyes of not only the Chinese but the other empires that competed for control of the eastern Silk Road; Arab, Turkic (primarily Uighur), and Tibetan.

The introduction chapter was the most informative and wide-ranging. In it the reader learns that there was not one Silk Road but multiple paths and that also it was not only silk that was traded along it; horses, salt, wool, and jade were also major trade items. The distances covered (altogether over 3,000 miles) was not the only daunting challenge to merchants; massive mountain ranges with peaks as high as 20,000 feet, deadly deserts, and bandits had to be dealt with as well. Though the Silk Road was of major importance for centuries, by the end of the tenth century trade became increasingly maritime in nature.

The region covered in the book corresponds to modern day eastern Uzbekistan, western China, Mongolia, south to the Himalayas and including Tibet. Today that region is largely occupied by Turkic peoples, mainly the Uighur, as well as Chinese colonists and is more Islamic than not. In the time period covered by the book it was more Indo-European in character, mainly Buddhist, and a great deal more cosmopolitan, with many towns and cities home to Turks, Indians, Chinese, Tibetans, and Mongolians as well as followers of Manicheism, Zoroastrianism, Nestorian Christianity, Islam, Judaism, and shamanism as well. Many Silk Road towns, once some of the most populous cities in the world, now have largely been reclaimed by the desert sands due to a decline in population and a drop in the water table, a land now rich in archaeology but vulnerable to thieves looking for artifacts to sell on the black market.

The major source of information for this book and indeed much of the scholarship done on this region and era comes from the over forty thousand documents uncovered in a Buddhist cave complex outside Dunhuang, now in Gansu province, China. Sealed up in the eleventh century, it was uncovered by accident in 1900. Though many of these precious scrolls, paintings, and sculptures have been lost since then for various reasons (and others tainted by the existence of forgeries), more than enough remained; the "importance of the Dunhuang documents cannot be overstated." A whole field of study, Dunhuangology, grew up around the study of the documents. Not only were there many Buddhist texts, but as paper was rare and often recycled (and once Buddhist scripture was written on paper it was considered nearly blasphemous to destroy at that point), many non-Buddhist writings were preserved, unique in providing glimpses into the lives of everyday people.

If there is one over-arching point that can be grasped from the book (and the introduction), it is this; "the history of Central Asia over this period is characterized by a complex succession of power struggles." The lives of the ten people in this book were vastly affected by the fortunes, rise, and often precipitous falls of the Chinese, Tibetan, Uighur, Arab, and the other powers (such as autonomous city-states like Samarkand) that continually fought for control of the eastern Silk Road, sometimes in three-way struggles in which an "ally" could switch sides in the middle of a battle. Even when an empire was not defeated on the battlefield it could collapse or fall into chaos due to serious internal disturbances, such as a 755 rebellion led by a general of the Chinese army against the Tang dynasty and when earlier that same year the Tibetan emperor was murdered during a revolt by his ministers.

Ok, the tales. There are ten of them and they are arranged in chronological order, though several overlap and a few even briefly mention some of the stars of the other tales. They vary in how much they focus on the actual life of the person whom the tale is about but most give a decent glimpse of what it was like to be such a person in a particular occupation. Some of the tales seem to be more about the political events of the time and the tale was just a convenient way for the author to discuss them while others read like fiction almost, one even with flashbacks. The ten tales, in order, are the merchant's tale (about a Sogdian merchant from Samarkand who has braved the Silk Road many times), the soldier's tale (about a Tibetan soldier), followed by tales about a Uighur Turk horseman, a Chinese princess being married off to the Uighur kaghan to cement a political alliance, a Kashmiri Buddhist monk, a Kuchean courtesan, and the last four set in Dunhuang, about a Buddhist nun, a widow, a government official, and an artist, one who painted some of the very caves the Dunhuang scrolls were found in.

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## Free PDF Draw the Lightning Down: Benjamin Franklin and Electrical Technology in the Age of Enlightenment, by Michael B. Schiffer, Carrie L. Bell

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Most of us know—at least we've heard—that Benjamin Franklin conducted some kind of electrical experiment with a kite. What few of us realize—and what this book makes powerfully clear—is that Franklin played a major role in laying the foundations of modern electrical science and technology. This fast-paced book, rich with historical details and anecdotes, brings to life Franklin, the large international network of scientists and inventors in which he played a key role, and their amazing inventions. We learn what these early electrical devices—from lights and motors to musical and medical instruments—looked like, how they worked, and what their utilitarian and symbolic meanings were for those who invented and used them. Against the fascinating panorama of life in the eighteenth century, Michael Brian Schiffer tells the story of the very beginnings of our modern electrical world.

The earliest electrical technologies were conceived in the laboratory apparatus of physicists; because of their surprising and diverse effects, however, these technologies rapidly made their way into many other communities and activities. Schiffer conducts us from community to community, showing how these technologies worked as they were put to use in public lectures, revolutionary experiments in chemistry and biology, and medical therapy. This story brings to light the arcane and long-forgotten inventions that made way for many modern technologies—including lightning rods (Franklin's invention), cardiac stimulation, xerography, and the internal combustion engine—and richly conveys the complex relationships among science, technology, and culture.

• Sales Rank: #4345081 in Books
• Published on: 2003-10-14
• Original language: English
• Number of items: 1
• Dimensions: 1.15" h x 6.34" w x 9.22" l, 1.51 pounds
• Binding: Hardcover
• 397 pages

Review
"Many historians have discussed early electrical instruments, but this is the most comprehensive account of the enormous variety of devices developed during this period. With the help of numerous illustrations, Schiffer clearly explains how they worked and what they were for."--"Times Literary Supplement (tls)"

From the Inside Flap
"In focusing an archeologist's eye on electrical technology in the eighteenth century, Michael Brian Schiffer brings fresh and valuable insight to the study of the process of technological diffusion. At the same time he provides a lively account of how an interest in electricity spread across a surprisingly broad range of Enlightenment society."—Bernard Finn, Curator, Electrical Collections, Smithsonian Institution

"Michael Brian Schiffer brings his love of technology and archaeology together into a great story of the Age of Enlightenment. A wonderful read for those who want to dive into compelling stories of artifacts, people and scientific thought. Draw the Lightning Down pushes archaeology into times and technology where it has not gone before. This is an absorbing and literally electrifying book!"—Pamela J. Cressey, City Archaeologist, Alexandria Archaeology

From the Back Cover
"In focusing an archeologist's eye on electrical technology in the eighteenth century, Michael Brian Schiffer brings fresh and valuable insight to the study of the process of technological diffusion. At the same time he provides a lively account of how an interest in electricity spread across a surprisingly broad range of Enlightenment society."--Bernard Finn, Curator, Electrical Collections, Smithsonian Institution
"Michael Brian Schiffer brings his love of technology and archaeology together into a great story of the Age of Enlightenment. A wonderful read for those who want to dive into compelling stories of artifacts, people and scientific thought. "Draw the Lightning Down pushes archaeology into times and technology where it has not gone before. This is an absorbing and literally electrifying book!"--Pamela J. Cressey, City Archaeologist, Alexandria Archaeology

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0 of 0 people found the following review helpful.
Bibliographical Treasure Trove
By D. Frazee
This is a brilliant work which describes experiments by the electrophysicists and the electrobiologists of the 18th and 19th centuries. The imagery is both pertinent and informative, though I would still like to see a historical work with stronger emphasis on the pictures and descriptions of materials and phenomena observed. Especially in relation to smells and tastes, which is mentioned in this work frequently.

The description of some of their many escapades is sometimes hilarious, and sometimes horrifying. It even dips into a little of the history behind the Frankenstein narrative. It's a little shocking.

0 of 0 people found the following review helpful.
B.Franklin Myriad Interests & Contemporary Inventions
By W. E. Sullivan
Benjamin Franklin enjoyed working with his many Well-Read Friends.
This book reviews many facets of his society and the advancements in
the early American (& World) discoveries and Technology changes.
* Subtitle ... Age of Enlightenment !
* Chapters cover: -Power To The People -Do No Harm -New Alchemy
- Visionary Inventors -Technology Transfer-'Framework'

* Subjects: Sulfer Globes; Electrophorus; Electric Pistol; Electrobiological; Electric Bath; Electrotherapist; Atmospheric Electricity; Electro-vegetometers!

0 of 0 people found the following review helpful.
A must read for those studying electrostatics.
By Michael Judd
A wonderful look into the early days of electrical experimentation.

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** Free Ebook Cleopatra: A Sphinx RevisitedFrom University of California Press

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Cleopatra—a brave, astute, and charming woman who spoke many languages, entertained lavishly, hunted, went into battle, eliminated siblings to consolidate her power, and held off the threat of Imperial Rome to protect her country as long as she could—continues to fascinate centuries after she ruled Egypt. These wide-ranging essays explore such topics as Cleopatra’s controversial trip to Rome, her suicide by snake bite, and the afterlife of her love potions. They view Cleopatra from the Egyptian perspective, and examine the reception in Rome of Egyptian culture, especially of its religion and architecture. They discuss films about her, and consider what inspired Egyptomania in early modern art. Together, these essays illuminate Cleopatra’s legacy and illustrate how it has been used and reused through the centuries.

• Sales Rank: #2313145 in Books
• Published on: 2011-09-01
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .80" w x 6.00" l, 1.00 pounds
• Binding: Hardcover
• 250 pages

Review
"After reading, and perhaps re-reading, the contributions to this remarkable set off essays, the reasons contributing to the posthumous super-status of Cleopatra VII become self-evident."--"Bryn Mawr Classical Review (Bmcr)"

"Supplements our current understanding of a rich tradition with new layers."--Alastair Blanshard"Prudentia" (06/01/2013)

About the Author
Margaret M. Miles is Andrew W. Mellon Professor of Classical Studies at the American School of Classical Studies at Athens and Professor of Art History and Classics at the University of California at Irvine. She is the author most recently of Art as Plunder: The Ancient Origins of Debate about Cultural Property.

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Adding her stimulating and finely framed ethnography to recent work in the anthropology of the senses, Kathryn Geurts investigates the cultural meaning system and resulting sensorium of Anlo-Ewe-speaking people in southeastern Ghana. Geurts discovered that the five-senses model has little relevance in Anlo culture, where balance is a sense, and balancing (in a physical and psychological sense as well as in literal and metaphorical ways) is an essential component of what it means to be human.

Much of perception falls into an Anlo category of seselelame (literally feel-feel-at-flesh-inside), in which what might be considered sensory input, including the Western sixth-sense notion of "intuition," comes from bodily feeling and the interior milieu. The kind of mind-body dichotomy that pervades Western European-Anglo American cultural traditions and philosophical thought is absent. Geurts relates how Anlo society privileges and elaborates what we would call kinesthesia, which most Americans would not even identify as a sense. After this nuanced exploration of an Anlo-Ewe theory of inner states and their way of delineating external experience, readers will never again take for granted the "naturalness" of sight, touch, taste, hearing, and smell.

• Sales Rank: #1086215 in Books
• Published on: 2003-01-06
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 1.00" w x 6.00" l, 1.08 pounds
• Binding: Paperback
• 293 pages

About the Author
Kathryn Linn Geurts is Assistant Professor of Anthropology at Hamline University.

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Four Stars
By Bria Cole
Excellent reflexive anthropology. Very useful for continuing sensorial studies.

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This pioneering study uses an early seventh-century Christian martyr legend to elucidate the culture and society of late antique Iraq. Translated from Syriac into English here for the first time, the legend of Mar Qardagh introduces a hero of epic proportions whose characteristics confound simple classification. During the several stages of his career, Mar Qardagh hunts like a Persian King, argues like a Greek philosopher, and renounces his Zoroastrian family to live with monks high in the mountains of Iraqi Kurdistan. Drawing on both literary and artistic sources, Joel Walker explores the convergence of these diverse themes in the Christian culture of the Sasanian Empire (224-642). Taking the Qardagh legend as its foundation, his study guides readers through the rich and complex world of late antique Iraq.

• Sales Rank: #1524059 in Books
• Published on: 2006-04-24
• Original language: English
• Number of items: 1
• Dimensions: 9.28" h x 1.07" w x 6.32" l, 1.40 pounds
• Binding: Hardcover
• 368 pages

Review
"Walker's impressive command of modern scholarship helps reveal fascinating cultural intersections during Late Antiquity." - Michael G. Morony, author of Iraq after the Muslim Conquest "The Legend of Mar Qardagh is a richly textured narrative, and one that opens up vast spaces barely considered in much of western scholarship." - Susan Ashbrook Harvey, author of Scenting Salvation: Ancient Christianity and the Olfactory Imagination"

From the Inside Flap
"Walker's impressive command of modern scholarship helps reveal fascinating cultural intersections during Late Antiquity."—Michael G. Morony, author of Iraq after the Muslim Conquest

"The Legend of Mar Qardagh is a richly textured narrative, and one that opens up vast spaces barely considered in much of western scholarship."—Susan Ashbrook Harvey, author of Scenting Salvation: Ancient Christianity and the Olfactory Imagination

From the Back Cover
"Walker's impressive command of modern scholarship helps reveal fascinating cultural intersections during Late Antiquity."--Michael G. Morony, author of "Iraq after the Muslim Conquest
""The Legend of Mar Qardagh is a richly textured narrative, and one that opens up vast spaces barely considered in much of western scholarship."--Susan Ashbrook Harvey, author of "Scenting Salvation: Ancient Christianity and the Olfactory Imagination

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^ Ebook Download Introduction to the Plant Life of Southern California: Coast to Foothills (California Natural History Guides), by Philip W. Rundel

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Field guides often provide little ecological information, or context, for understanding the plants they identify. This book, with its engaging text and attractive illustrations, for the first time provides an ecological framework for the plants and their environments in the coast and foothill regions of Southern California, an area that boasts an extremely rich flora. It will introduce a wide audience—from general readers and students to natural history and outdoor enthusiasts—to Southern California's plant communities, their ecological dynamics, and the key plants that grow in them.

Coastal beach and dune habitats, coastal and interior sage scrub, chaparral, woodlands, grasslands, riparian woodlands, and wetlands all contribute unique plant assemblages to Southern California. In addition to discussing each of these areas in depth, this book also emphasizes ecological factors such as drought, seasonal temperatures, and fire that determine which plants can thrive in each community. It covers such important topics as non-native invasive plants and other issues involved with preserving biodiversity in the ecologically rich yet heavily populated and increasingly threatened area. * 327 color photographs provide overviews of each plant community and highlight key plant species



* Describes more than 300 plant species

* Covers the counties of Santa Barbara, Ventura, Los Angeles, Orange, San Diego, western Riverside, San Bernardino, and the Channel Islands

* Includes a list of public areas and parks for viewing Southern California's plant communities

• Sales Rank: #89118 in Books
• Published on: 2005-04-29
• Original language: English
• Number of items: 1
• Dimensions: 7.25" h x .88" w x 4.50" l, 1.02 pounds
• Binding: Paperback
• 316 pages

About the Author
Philip W. Rundel, Professor of Biology at the University of California at Los Angeles, is coauthor of Ecological Communities and Processes in the Mojave Desert Ecosystem (1996), among other books. He has written extensively on the ecology of Southern California. Robert Gustafson is the retired collections manager of the Botany Department at the Natural History Museum of Los Angeles County. His photographs illustrate Plants and Flowers of Hawaii (1987).

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36 of 36 people found the following review helpful.
Take it along in your backpack
By Dennis Littrell
This is the latest in a series of books on the flora and fauna of California published by the University of California Press. The books are characterized by beautiful photography, authoritative authorship, and succinct descriptions. In this book the authors, Philip W. Rundel, Professor of Biology at UCLA's Department of Ecology and Ecological Biology, and Robert Gustafson, who is the manager of the Botany Department at the Natural Museum of Los Angeles County, go a bit beyond the usual as they describe the ecology of the various plant ecosystems in Southern California.

The first chapter is on the biogeography of Southern California (from Point Conception to the Mexican border) with a comparison to other Mediterranean-type climates throughout the world, including those in South Africa and southern Australia as well as in the Mediterranean itself.

The other chapters, 12 in all, concentrate on various habitats, including coastal beaches, dunes, bluffs, terraces, and on other distinct plant communities found in SoCal, including woodlands, grasslands, riparian woodlands, and wetlands. There's a chapter on the flora of the Channel Islands. Throughout the authors are careful to tell the reader which species are native and which are not. Two of the chapters are on the chaparral and its unique ecology and how the plants adapt to the frequent fires that the chaparral forest is prone to. I love the chaparral and it was fun to discover the names and habits and to see the color photos of the plants that one sees on hikes along the trails.

Finally there are chapters on "Invasive Alien Species" and the threats they pose, and on "Preserving Biodiversity." There's a table that lists public parks and preserves by characteristic plant communities such as the Los Padres National Forest in Santa Barbara County, Bolsa Chica State Beach in Orange County, and many others. And there's a good index.

This works especially well as both an introduction, as the authors intended, and as a handy reference for the hiker and camper.

19 of 20 people found the following review helpful.
Very engaging and informative
By S. Feakins
This is a very engaging and well written book about southern California's major floristic regions. If you are interested in the ecology and history of S. California ecosystems it is an excellent introduction, providing a nice overview and many insights. For example - why there are many winter decidous plants in the summer drought/winter rain climate of S. California; why the flora of Torrey Pines is so special. I spent a very pleasant afternoon reading it cover to cover.

7 of 8 people found the following review helpful.
comprehensive & clear
By Caroline Kreiser
This book is organized by area, and gives good explanations of each habitat. It is not organized as a plant/flower identification book, but provides overviews of the different plant communities as tied to the geography. Lots of good photos. Includes a section on invasive species.

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^ Ebook Download Singular Women: Writing the ArtistFrom University of California Press

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In this groundbreaking volume, contemporary art historians—all of them women—probe the dilemmas and complexities of writing about the woman artist, past and present. Singular Women proposes a new feminist investigation of the history of art by considering how a historian's theoretical approach affects the way in which research progresses and stories are told. These thirteen essays on specific artists, from the Renaissance to the present day, address their work and history to examine how each has been inserted into or left out of the history of art. The authors go beyond an analysis of the past to propose new strategies for considering the contributions of women to the visual arts, strategies that take into account the idiosyncratic, personal, and limited rhetoric that confines all writers.

• Sales Rank: #1700487 in Books
• Published on: 2003-03-04
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .75" w x 6.00" l, 1.01 pounds
• Binding: Paperback
• 278 pages

Review
"A who's who of feminist work from the Renaissance to the present. . . .After organizing a panel on feminist art history in 1996, the coeditors spent the next seven years on this volume and ended up such close friends that the two now 'finish each other's sentences.'"--"ARTnews"

From the Inside Flap
"An interesting and original collection. A must for all those interested in women artists and the women who have written about them."—Linda Nochlin, author of Representing Women

"Kristen Frederickson and Sarah Webb have provided us with a missing link, a truly feminist art history that connects with the work done in the 1970s and thankfully ignores the 'post-feminist' hiatus. Singular Women is a model for future scholarship on women's art. If only the books it inspires are as rigorous, vigorous, varied, and readable as this one."—Lucy Lippard, author of The Pink Glass Swan: Selected Feminist Essays on Art

"The most provocative, challenging, and intimate writing to appear in feminist art history since Linda Nochlin launched the field with her essay 'Why Are There No Great Women Artists?' Thirty years later there are both great women artists and great women writers. This book assembles some of the best and boldest among them. Not afraid to address the boring, the failed, the neglected, or the masterpiece, Singular Women sets the standard for feminist art history of the twenty-first century."—Peggy Phelan, author of the survey essay in Art and Feminism, ed. Helena Reckitt

"This important volume addresses the vexed question whether the traditional monograph, rightly under suspicion in recent years, can be reinvented to serve feminist art history well. Its excellent--and varied--essays answer with a confident and convincing affirmative, demonstrating how we can talk about women's art practice without abandoning the biographical and social stories that enable and illuminate it."—Janet Wolff, author of Resident Alien: Feminist Cultural Criticism

"Contributes new understandings to the now familiar problems of writing biographies of artists and, in particular, writing about a woman artist. It re-inscribes the woman artist in the discourse while probing—through a variety of approaches—the possibilities for a critical discourse on and appreciation of the woman artist."—Catherine M. Soussloff, author of The Absolute Artist: The Historiography of a Concept

"Demonstrates how women historians have had to develop close relationships (real or imagined) with the artists about whom they write. The reader is allowed to see the desire that constitutes, but is normally hidden within, the writing of history."—Jane Blocker, author of Where Is Ana Mendieta? Identity, Performativity, and Exile

From the Back Cover
"An interesting and original collection. A must for all those interested in women artists and the women who have written about them."--Linda Nochlin, author of "Representing Women

"Kristen Frederickson and Sarah Webb have provided us with a missing link, a truly feminist art history that connects with the work done in the 1970s and thankfully ignores the 'post-feminist' hiatus. "Singular Women is a model for future scholarship on women's art. If only the books it inspires are as rigorous, vigorous, varied, and readable as this one."--Lucy Lippard, author of "The Pink Glass Swan: Selected Feminist Essays on Art

"The most provocative, challenging, and intimate writing to appear in feminist art history since Linda Nochlin launched the field with her essay 'Why Are There No Great Women Artists?' Thirty years later there are both great women artists and great women writers. This book assembles some of the best and boldest among them. Not afraid to address the boring, the failed, the neglected, or the masterpiece, "Singular Women sets the standard for feminist art history of the twenty-first century."--Peggy Phelan, author of the survey essay in" Art and Feminism, ed. Helena Reckitt

"This important volume addresses the vexed question whether the traditional monograph, rightly under suspicion in recent years, can be reinvented to serve feminist art history well. Its excellent--and varied--essays answer with a confident and convincing affirmative, demonstrating how we can talk about women's art practice without abandoning the biographical and social stories that enable and illuminate it."--Janet Wolff, author of "Resident Alien: Feminist Cultural Criticism

"Contributes newunderstandings to the now familiar problems of writing biographies of artists and, in particular, writing about a woman artist. It re-inscribes the woman artist in the discourse while probing--through a variety of approaches--the possibilities for a critical discourse on and appreciation of the woman artist."--Catherine M. Soussloff, author of "The Absolute Artist: The Historiography of a Concept

"Demonstrates how women historians have had to develop close relationships (real or imagined) with the artists about whom they write. The reader is allowed to see the desire that constitutes, but is normally hidden within, the writing of history."--Jane Blocker, author of "Where Is Ana Mendieta? Identity, Performativity, and Exile

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7 of 7 people found the following review helpful.
So inspiring!
By Beverly Wallace
I have been a painter since the 1960s. As a contemporary female artist, it is so important to learn about the struggles so many female artists have experienced, and this book showed me how artists were able to be noticed and admired, throughout history. The various essays have many different voices, and the introduction really set the tone for a very readable but informative book. I highly recommend it!

4 of 4 people found the following review helpful.
Singular Women: How do we study them?
By Emilie Esther Ann Schnabel
Well-written, interesting content. Introduction points out the differing strategies and ideas discussed in essays about how women artists have been portrayed and how they ought to be in the future. Why does art done by male artists traditionally get looked at objectively as art, whereas art done by female artists is rarely examined without being explained or contextualized by the female artist's personal life or male artists they are associated with? The book also examines in depth, from multiple angles, the burning question of whether or not the monograph is an applicable format for studying the female artist.

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