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The great Gothic cathedrals of Europe are among the most astonishing achievements of Western culture. Evoking feelings of awe and humility, they make us want to understand what inspired the people who had the audacity to build them. This engrossing book surveys an era that has fired the historical imagination for centuries. In it Robert A. Scott explores why medieval people built Gothic cathedrals, how they built them, what conception of the divine lay behind their creation, and how religious and secular leaders used cathedrals for social and political purposes. As a traveler’s companion or a rich source of knowledge for the armchair enthusiast, The Gothic Enterprise helps us understand how ordinary people managed such tremendous feats of physical and creative energy at a time when technology was rudimentary, famine and disease were rampant, the climate was often harsh, and communal life was unstable and incessantly violent.
While most books about Gothic cathedrals focus on a particular building or on the cathedrals of a specific region, The Gothic Enterprise considers the idea of the cathedral as a humanly created space. Scott discusses why an impoverished people would commit so many social and personal resources to building something so physically stupendous and what this says about their ideas of the sacred, especially the vital role they ascribed to the divine as a protector against the dangers of everyday life.
Scott’s narrative offers a wealth of fascinating details concerning daily life during medieval times. The author describes the difficulties master-builders faced in scheduling construction that wouldn’t be completed during their own lifetimes, how they managed without adequate numeric systems or paper on which to make detailed drawings, and how climate, natural disasters, wars, variations in the hours of daylight throughout the year, and the celebration of holy days affected the pace and timing of work. Scott also explains such things as the role of relics, the quarrying and transporting of stone, and the incessant conflict cathedral-building projects caused within their communities. Finally, by drawing comparisons between Gothic cathedrals and other monumental building projects, such as Stonehenge, Scott expands our understanding of the human impulses that shape our landscape.
- Sales Rank: #611582 in Books
- Published on: 2003-10-15
- Original language: English
- Number of items: 1
- Dimensions: .98" h x 6.00" w x 9.16" l, 1.34 pounds
- Binding: Hardcover
- 307 pages
Review
"Offers an intriguing study of the historical creation of the medieval cathedral in Europe. . . . provides a fresh eye and an engaging entree to how and why, for a 300-year period, Europeans created these lasting monuments. . . . Recommended particularly for public libraries with an interest in art and architecture."--"Library Journal
From the Inside Flap
"This is easily the best book I have seen on why the great cathedrals were built. The breadth of Scott’s scholarship is astonishing. As well as art history and architecture, he brings to bear his knowledge of subjects as wide apart as engineering, the sociology of religion, and the medieval economy. Only a handful of books truly throw light on the mystery of the cathedrals, and this is one of them."—Ken Follett, author of Pillars of the Earth
"Written in a lucid style and illustrated by dozens of sketches and photographs, this interdisciplinary survey is the best introduction to its subject now in print."—Gene Brucker, author of Florence: The Golden Age, 1138–1737
"Scott has given us a book of wonderful breadth and erudition with a refreshingly light touch. He describes vividly the social, political, and religious background to the great flowering of the Gothic cathedrals of Europe in the thirteenth and fourteenth centuries, and the strange mixture of motives that drove this astonishing building program. He is equally interested in the hard practical mechanics of hewing timber, erecting scaffolding, quarrying stone, transporting and hauling these materials as he is in the religious and liturgical symbolisms and conceptual schemes of the architects and their royal paymasters. Gothic cathedrals are astounding monuments to the aspirations of the human spirit reaching out to the divine, and this is a splendid introduction to the medieval worlds that produced them, written by an enthusiastic guide who really knows his subject and loves it."—Hugh Dickinson, Dean Emeritus of Salisbury Cathedral
"Gothic architecture is notoriously difficult to represent verbally, but in Scott’s book the joy so many people find in discovering these breathtakingly beautiful monuments is palpable."—Stephen Murray, author of Notre Dame, Cathedral of Amiens: The Power of Change in Gothic
"In this splendid book Scott writes precisely, clearly, and with a love for both words and his readers. Those who read these pages will come away enlightened, inspired, and with a more profound grasp of our civilization."—Neil J. Smelser, University Professor of Sociology, Emeritus, University of California, Berkeley
About the Author
Robert A. Scott is Associate Director Emeritus of the Center for Advanced Study in the Behavioral Sciences at Stanford University, and was previously Professor of Sociology at Princeton University for 18 years. He is the coauthor of Why Sociology Does Not Apply (1979); author of Making of Blind Men (1969); editor of several collections of essays about stigma, deviancy, and social control; and author of numerous articles, book chapters, and essays on related topics.
Most helpful customer reviews
39 of 40 people found the following review helpful.
Not devoid of shortcomings !
By Pierre Gauthier
This work is largely successful at describing and explaining the historical and sociological context pertaining to the construction of gothic cathedrals.
Some important shortcomings should however be pointed out.
First, the title is misleading since the book is very much centered on England, and specifically on Salisbury, whereas gothic cathedrals blossomed first and foremost on the Continent. 'The Gothic Enterprise in England' would have been more appropriate.
Also, the author carries the strange notion that 12th and 13th century societies were poor and wretched whereas the very cathedrals discussed are proof to the contrary. He clearly is not familiar with Régine Pernoud's work, initially published in the 1970's, that debunks many myths concerning the Middle Ages!
One of the book's most fascinating chapters, placed at the very end, deals with Stonehenge. Why however include it in this work since there is no indication that Stonehenge had any influence whatsoever on gothic construction?
Finally, the black and white photographs, possibly shot by the author, are sadly not up to par with the topic.
0 of 0 people found the following review helpful.
Mostly Borrowed from other Scholarship - Not Much New Here; Best Parts are the "How" - the "Why" is Disjointed
By Jim Schmidt
Review: Meh. Disappointed - understood going in that this was more of a "why" book than a "how" book when it came to what he refers to as the "Cathedral Crusade" - which is a shame, because the "how" parts were certainly the strongest in this book - the "why" parts are really short stand-alone essays on various thoughts on "sacred spaces" and medieval life, generally - not long enough to fully develop the idea, hardly original - mostly borrowed from other writers, and in several cases the relation to the cathedrals is an end-of-chapter after-thought (Part V, especially) - the stitched-on conclusion re: Stonehenge seemed more of indulging a personal interest, than part of the whole narrative - the rhetorical questions throughout became very tiresome - I will thank the author to directing me to some supporting works on medieval life, but that's about it.
7 of 7 people found the following review helpful.
Outstanding book
By Deb&Kasmir
The people who reviewed this book before me did a great job of describing this wonderful book, so I'm not going to repeat their observations. However, one aspect of the work I personally appreciated was the way Scott examined the cathedrals as architectural responses to the cultural context. His analysis is clear and straightforward. Excellent book!
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