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Sundance to Sarajevo: Film Festivals and the World They Made, by Kenneth Turan
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Almost every day of the year a film festival takes place somewhere in the world--from sub-Saharan Africa to the Land of the Midnight Sun. Sundance to Sarajevo is a tour of the world's film festivals by an insider whose familiarity with the personalities, places, and culture surrounding the cinema makes him uniquely suited to his role. Kenneth Turan, film critic for the Los Angeles Times, writes about the most unusual as well as the most important film festivals, and the cities in which they occur, with an eye toward the larger picture. His lively narrative emphasizes the cultural, political, and sociological aspects of each event as well as the human stories that influence the various and telling ways the film world and the real world intersect.
Of the festivals profiled in detail, Cannes and Sundance are obvious choices as the biggest, brashest, and most influential of the bunch. The others were selected for their ability to open a window onto a wider, more diverse world and cinema's place in it. Sometimes, as with Sarajevo and Havana, film is a vehicle for understanding the international political community's most vexing dilemmas. Sometimes, as with Burkina Faso's FESPACO and Pordenone's Giornate del Cinema Muto, it's a chance to examine the very nature of the cinematic experience. But always the stories in this book show us that film means more and touches deeper chords than anyone might have expected. No other book explores so many different festivals in such detail or provides a context beyond the merely cinematic.
- Sales Rank: #1668559 in Books
- Published on: 2003-11-01
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .50" w x 6.00" l, .62 pounds
- Binding: Paperback
- 190 pages
From Publishers Weekly
In this lively blend of travelogue and film history, Los Angeles Times film critic Turan details the inner workings of 12 of the world's 400-plus film festivals, capturing the essence of each. More broadly, he shows how festivals have become a "growth industry" providing filmmakers with an "an alternate p.r. universe" and fans a symposium on the "nature of the cinematic experience." For standard bearers like Sundance and Cannes, the thrust is, despite the hype, to uncover new films that surprise audiences and make "dreams come true" for filmmakers. Aesthetically driven festivals, like Italy's silents-only Pordenone, run on the commitment of organizers and patrons who believe in a given film genre or set of artistic tenets. But most indicative of film's life-affirming power are the festivals set in poor or war-torn lands, such as Burkina Faso or Bosnia-Herzegovina. There, organizers and audiences take many risks to ensure that a film is available, for to them it marks a "determination not to be alone in the world." Add to these aesthetic overviews Turan's well-observed social tableaux the "pleasantly schizophrenic interaction between the minions of Hollywood and the scruffy independent world" of Sundance, the flashy yet "privileged look behind the scenes at the interlocking gears of the theatrical experience" at Vegas's ShoWest and the film festival portraits are complete. Turan's easy erudition and wholehearted pleasure in the film experience infuse the book, making it, like a good movie, a multilayered delight.
From Library Journal
In this slim volume, Los Angeles Times film critic Turan surveys a variety of film festivals in terms of importance and scope, giving a brief overview of the famous (Cannes) and the more obscure (Lone Pine). Four sections discuss different festivals in terms of business (Cannes, Sundance, and ShoWest), geopolitical issues (Fespaco, Havana, Sarajevo, and Midnight Sun), aesthetics (Pordenone, Lone Pine, and Telluride), and the politics of festivals in general. Turan observes, "Though the gathering didn't even have a name, and any thoughts of making it an annual event would have seemed preposterous, this was the first Pordenone Festival. There were only eight guests." Turan also evaluates a festival that failed in Sarasota, FL, and relates his experience as a juror in Montreal. Experiencing an inside look at these festivals and discovering the lesser-known ones such as Fespaco (African film) held in Burkina Faso and Pordenone (silent cinema) in Italy are what make this book interesting. This enjoyable and well-informed read for fest fans and film students is recommended for academic and public libraries. Barbara Kundanis, Batavia P.L., IL
Copyright 2002 Cahners Business Information, Inc.
Review
"It is in the nature of film festivals to lack coherence--they must, necessarily--so any book about the phenomena is bound to partake of that shapelessness; and indeed Turan's book reads very episodically, with little in the way of a central thesis or theme."--"Los Angeles Times Book Review, 6/23
Most helpful customer reviews
1 of 1 people found the following review helpful.
Five Stars
By Margarite Landry
Turan is always fun to read.
2 of 2 people found the following review helpful.
Travel writing as film history
By Wildness
Kenneth Turan, Los Angeles Times and NPR film critic, has traveled the world to watch movies at film festivals so that the viewing public can learn about new, upcoming films and the stars and artists that make them. Along the way, he has seen it all, from the upstart come mega-festival Sundance to little known venues in war zones like Sarajevo, Bosnia and Burkina Faso in Africa.
Now, Turan has written a delightful travelogue of his experiences, focusing on 12 of the more than 400 film festivals each year. The festivals he spotlights are divided into four sections: Festivals with Business Agendas (Cannes, Sundance, ShoWest), Festivals with Geopolitical Agendas (Burkina Faso, Havana, Sarajevo, Midnight Sun), Festivals with Aesthetic Agendas (Pordenone, Lone Pine, Telluride), and some failures under the section of the Politics of Festivals.
From the food to the people to the landscape to the cities to the films, Turan feeds us the flavors of each festival; but, that is not all as we get all the juice and details from behind the scenes of these festivals, and we really learn how they tick.
If you are a successful filmmaker, you will enjoy the nostalgic ride; if you are an inspiring filmmaker, there is much to learn before you visit your first festival as an insider; and, if you are a film buff, then you will enjoy the ride with Turan as he visits the festivals in ways we can't. Come along and visit the place where big Hollywoodland meets the independent spirit of film.
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