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Anita Loos Rediscovered: Film Treatments and Fiction
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Anita Loos (1888-1981) was one of Hollywood's most respected and prolific screenwriters, as well as an acclaimed novelist and playwright. This unique collection of previously unpublished film treatments, short stories, and one-act plays spans fifty years of her creative writing and showcases the breadth and depth of her talent. Beginning in 1912 with the stories she submitted from her San Diego home (some made into films by D. W. Griffith), through her collaboration with Colette on the play Gigi, Anita Loos wrote almost every day for the screen, stage, books, or magazines. Film scripts include San Francisco, The Women, and Red-Headed Woman. The list of stars for whom she created unforgettable roles includes Mary Pickford, Jean Harlow, Clark Gable, Audrey Hepburn, and Carol Channing.
This collection has been selected by Anita's niece and close friend, the best-selling author Mary Anita Loos, together with the acclaimed film historian Cari Beauchamp. Their essays are laced throughout the volume, introducing each section and giving previously untold insights and behind-the-scenes stories about Anita—her life, her friendships, and her times.
- Sales Rank: #1102275 in Books
- Published on: 2003-11-10
- Original language: English
- Number of items: 1
- Dimensions: 9.24" h x 1.08" w x 6.32" l, 1.40 pounds
- Binding: Hardcover
- 322 pages
From Booklist
Hollywood historian Beauchamp offers an enticing glimpse into the temperament of prolific and gifted screenwriter, novelist, and playwright Anita Loos (1888-1981) when she observes that Loos "put much thought and effort into appearing carefree." As Beauchamp briskly chronicles Loos' unusual life, and Loos' niece, Mary Anita Loos, shares her personal reminiscences, the "elfin" Loos, author of Gentlemen Prefer Blondes, the film script for The Women, and dozens of other works, comes into focus as relentlessly hardworking, smart, witty, generous, and profoundly lonely. Loos launched her brilliant career in 1912 by sending an unsolicited story idea to D. W. Griffith. One hit followed another, but happiness eluded Loos once she married an insecure scoundrel who cheated on her, squandered her painstakingly earned fortune, and landed in a psychiatric asylum. The maddening complexities inherent in relationships between men and women, and society's entrenched misogyny, became Loos' endlessly fertile subjects, as is evident in the marvelously piquant and dazzlingly inventive stories and film treatments gathered in this essential addition to American letters and the history of film. Donna Seaman
Copyright © American Library Association. All rights reserved
Review
"An intriguing selection of previously unpublished film treatments, one-act plays, and short stories written over the course of [Anita Loos's] career. . . . The material is colorful and well-integrated." --Merle Rubin, "New York Sun"
From the Inside Flap
"I adored Anita, as did the entire fashion and literary world. She was four feet nine inches of lithe, slender, dramatic chic."—Carol Channing
"This book celebrates a character as memorable as any Anita Loos created in her writing. She was an indomitable, wise-cracking prodigy who not only helped create Hollywood, but managed to survive it."—John Sayles
"If we can't have the wonderful Anita Loos-smart, witty, literate and fun- writing today's Hollywood movies, at least we can get reacquainted with her and her work through this delightful book. Filled with previously unpublished material, it shows that while gentlemen may have preferred blondes, everyone else in town wisely preferred the irresistible Ms. Loos."—Kenneth Turan, film critic for the Los Angeles Times
"This is a wonderful book about a talented, fascinating, and groundbreaking woman. Her life epitomizes a certain era in show business and describes a Hollywood in which few women were allowed to rise to the top. Anita Loos did and we were all the beneficiaries. I loved the book!"—Peter Duchin
"Not only is it valuable to have these delightful Anita Loos pieces, but the biographical chapters are fascinating too."—Kevin Brownlow, author of David Lean: A Biography
Most helpful customer reviews
13 of 13 people found the following review helpful.
Very Interesting But Ultimately Unsuccessful Book
By Tee
This book is like three books in one but instead of getting three books, you kind of get a third of three different books. It combines Cari Beauchamp's biographical chapters on Anita Loos' life and career, Loos' niece Mary Anita Loo's first-person remninicences of her famous aunt, and finally short stories or excerpts of Anita's screenplays or books, all mixed together throughout the book. It may have seemed like a novel idea but it's a bad format and not a pleasurable read.
The highlights are Ms. Beauchamp's chapters but her work does not reach the greatness of her superb biography of another lady screenwriter, Frances Marion, WITHOUT LYING DOWN. Part of the problem here may be she's not writing a "full" biography and may not have researched Loos as extensively as she did Marion, she's also a little too soft on Loos personally who like Louella Parsons never let the truth get in the way of a good story. Loos is pictured throughout as a sweet, long-suffering lady (this is somewhat of an "offical" biography given her niece's participation) but Loos' own Hollywood histories and even occasionally her novels reveal a more caustic woman not afraid to get a few digs in at those she apparently didn't like (Beauchamp herself mentions off-hand at one point that Loos disliked sweet Mary Pickford!!). The somewhat famous story of how Loos bad-mouthed Lillian Gish repeatedly to H. L. Menken and George Jean Nathan (both of whom were eager to meet her) is usually told in comic tones, as if she were playing with them, but to me it suggests a aggressive woman who did not want another female as competition for the attention of the two literary giants.
Mary Anita Loos' memories of her beloved aunt are quite charming if sugar-coated although she spares Anita's eccentric, neurotic husband John Emerson nothing. He must have had something to keep Anita at his beck and call for so long besides "duty". Mary Anita Loos passed away not long after the book's publication, like her famous aunt she made it into her 90's. Mary Anita had a modest career as a screenwriter herself and later in the 1960's wrote a number of best-selling potboiler novels, she had a good life story of her own and it would have been nice to read more about it.
And finally there's Anita. This outrageously funny and clever gal, part Mae West and part Dorothy Parker, wrote a number of superb screenplays and entertaining if at times dubious Hollywood histories. I'm less impressed with her novels but they are usually fun and entertaining (though at times irritating as well). Hacking up Anita's work into "greatest hits" here doesn't quite work however, especially when some of the essential great hits of her career are not featured. I do wish that instead of this one book we had gotten three different volumes, a straight-out biography from Beauchamp, a full memoir from Mary Anita, and finally a collection of Anita's writing. Anita Loos was one of the most creative women Hollywood ever knew and she was trail-blazing enough to have deserve the three full treatments.
0 of 4 people found the following review helpful.
Excellent product and service. Would buy from you again!
By A. Grinbergs
Came in record time. Book is perfect and I have already read it with great pleasure. Would buy again from you should the need arise.
Anita Grinberg
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