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In the years following World War II, American writers and artists produced a steady stream of popular stories about Americans living, working, and traveling in Asia and the Pacific. Meanwhile the U.S., competing with the Soviet Union for global power, extended its reach into Asia to an unprecedented degree. This book reveals that these trends—the proliferation of Orientalist culture and the expansion of U.S. power—were linked in complex and surprising ways. While most cultural historians of the Cold War have focused on the culture of containment, Christina Klein reads the postwar period as one of international economic and political integration—a distinct chapter in the process of U.S.-led globalization.
Through her analysis of a wide range of texts and cultural phenomena—including Rodgers and Hammerstein's South Pacific and The King and I, James Michener's travel essays and novel Hawaii, and Eisenhower's People-to-People Program—Klein shows how U.S. policy makers, together with middlebrow artists, writers, and intellectuals, created a culture of global integration that represented the growth of U.S. power in Asia as the forging of emotionally satisfying bonds between Americans and Asians. Her book enlarges Edward Said's notion of Orientalism in order to bring to light a cultural narrative about both domestic and international integration that still resonates today.
- Sales Rank: #649444 in Books
- Published on: 2003-03-10
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .88" w x 6.00" l, 1.19 pounds
- Binding: Paperback
- 336 pages
From the Inside Flap
"Christina Klein takes a fresh, stimulating, and enlightening look at the complex visions of Asia dreamed over the decades by American popular culture. She argues her provocative viewpoints with the verve and flair of a showman, in a book which helps us to see the whole world through new eyes."—David Henry Hwang, author of M. Butterfly and Flower Drum Song (2002)
"An extraordinarily interesting study of ‘Cold War internationalism.’ Klein’s brilliant and imaginative reading of such musicals as South Pacific and The King and I enables us to see how culture and geopolitics were woven together to transform the Cold War order into today’s ethnically diverse and economically interdependent world—within the framework of ‘U.S. global expansion.’"—Akira Iriye, Professor of History, Harvard University, and author, Global Community
From the Back Cover
"Christina Klein takes a fresh, stimulating, and enlightening look at the complex visions of Asia dreamed over the decades by American popular culture. She argues her provocative viewpoints with the verve and flair of a showman, in a book which helps us to see the whole world through new eyes."--David Henry Hwang, author of "M. Butterfly and "Flower Drum Song (2002)
"An extraordinarily interesting study of 'Cold War internationalism.' Klein's brilliant and imaginative reading of such musicals as "South Pacific and "The King and I enables us to see how culture and geopolitics were woven together to transform the Cold War order into today's ethnically diverse and economically interdependent world--within the framework of 'U.S. global expansion.'"--Akira Iriye, Professor of History, Harvard University, and author, "Global Community
About the Author
Christina Klein is Associate Professor of Literature at the Massachusetts Institute of Technology.
Most helpful customer reviews
2 of 3 people found the following review helpful.
Key To Understanding the Baby Boomer Generation
By M. Lucey Bowen
This book is a knock up the side of the head! Now I understand the disconnect between what I was brought up to believe about the United States and the non-western world, and what is happening now e.g. US policy is really that of Britain before 1942!
Must read for all us old hippies!
12 of 12 people found the following review helpful.
The Cold War Was Much More Than Containment and McCarthyism
By A.B.
Christina Klein contends that the paradigm of the Truman Doctrine can not offer a complete understanding of Cold War American culture or policy. She juxtaposes its policy of global communist containment with a 1957 speech by American diplomat Francis Wilcox that harped the need to educate Americans about the world beyond the national boundaries. This contrasts what the author terms the "global imaginary of containment" with the "global imaginary of integration." Both of these are educational projects. The first teaches the global politic as a heroic crusade against communism, the latter teaches it as a sentimental connection with the cultures of non-Americans. While acknowledging the abundance of quality scholarship that investigates the former project, Klein positions Cold War Orientalism as an investigation of the policy of Cold War internationalism and its related trope of "sentimental education." In doing so, she aims to dichotomize the discourse of history by proving that integration of the capitalist world went hand-in-hand with Soviet containment.
Klein begins by documenting the Federal policy initiatives that promoted cold war internationalism in the American populace, like the United States Information Agency's people-to-people program. These initiatives rose in the wake of McCarthyism because the Truman Doctrine had a basic rhetorical disadvantage when promoted to the American public. As shown in her analysis of National Security Council directives, a foreign policy of communist containment has the public relations problem of being defined by that which it opposes. The integration of "free" people and commodities becomes the necessary positive to imbue the ideology of containment with original purpose.
The author then considers how "middlebrow intellectuals"-the author's term for the editors of mass periodicals like Reader's Digest, claimed Cold War internationalism as a public pedagogy and instructed readers about the American commitment to cultural difference. The text importantly contends that "middlebrow"-an adjective and Klein's subtitular term-has roots in cultural populism of the 1920s. It functionally describes a process of repackaging diverse culture for mass consumption. This "offered [upwardly mobile immigrant] consumers the cultural capital that would make them feel more secure in their new class identity (Klein 64)." It also appropriates the cultural inadequacy that permeated the Untied State's post-WWI uneasiness with the global mantle. It translates this inadequacy into a call for individuals to claim the authority of widely informed knowledge. Finally, Klein contends that the "middlebrow imagination" conflated education with enjoyment and moral purpose, ironically couching human difference in the trappings of soothing universalism. To show the connection between Cold War Internationalism as public policy and middlebrow cultural project, the author compares novelized travel accounts (like James Michiner's The Voice of Asia) to policy documents like NSC-48. Both envision an Asian communism that is rabidly expansionist and interstitial states that teeter on the verge of being "lost" or safely preserved in the bloc of the free world through cultural understanding (Klein 126).
While Klein's scholarship is original, taking policies that have been discretely engaged by multiple works and disciplines (like, for example, the propaganda policy considerations of Jacques Ellul), her lexicon of sentimental internationalism also offers a fresh critique of liberalism. It remains an unfinished project to extend this exciting paradigm into wider considerations of American conflict and axes of difference.
4 of 4 people found the following review helpful.
New Understanding Of East and West During the Cold War
By Roy E. Cloudburst
Edward W. Said convincingly argued in his 1979 masterpiece, Orientalism that the West (mainly America) traditionally had a rather monolithic view of the East. This perception, according to Said, was based more on fantasy than in fact - and that the West saw the East in terms of the `other.' MIT Literary Professor Christina Klein re-visits Said's conclusions in Cold War Orientalism: Asia in the Middlebrow Imagination, 1945-1961. In this work, she successfully argues that "while many American representations fit comfortably with Said's model of Orientalism, many post-war representations of noncommunist Asia do not, although they do not contradict it entirely"
(p.11).
Essentially, Klein illustrates that various cultural mediums in post-WWII America actively engage Asian topics to bridge the cultural divide between East and West. In her powerful and well written work, Klein masterfully explains "the relationship between the expansion of U.S. power into Asia between 1945 and 1961 and the simultaneous proliferation of popular American representations of Asia" (p. 5).
There are numerous examples cited in this work that provide evidence to support her main claim that America and the Orient (the East) "could learn to understand each other" (p. 200.). For instance, she brilliantly illustrates that America reached out to post-WWII Asia through films such as The King and I and The Bridges of Toko-Ri; and through magazines such as the Readers Digest and Saturday Review. These cultural mediums, asserted Klein, educated America about Asian topics - and advanced the American Cold War interest of "economic globalization" (p. 268).
Although Klein wisely stops her study in 1961, her conclusion draws parallels between recent U.S.-Asia relations and those of post-WWII such as the revival of the King and I in 1996 and a 1991 speech by Dole Foods CEO who "praised Asian Americans as a National Resource" (p. 269).
A cursory query of reviews for Klein's work resulted in an abundance of praise and admiration for her scholarship. Klein, noted one reviewer, "is not content to simplify the complexity of the time period in order to schematize things too neatly. Rather, she seeks to dig into the richness of America's expectations for Asia, including the countervailing currents within that relationship" (review by Jespersen T. Christopher). The blend and overall comparisons between cultural mediums provides the reader with a rich and compelling story.
The passages, scholarship, anecdotes, and readability of this work are impressive. But the real value of this work is that it advances a new understanding of the East and West during the Cold War - where the former educates the latter in a mutually beneficial platform. In this reviewer's opinion, there are no obvious weaknesses to this work, nor are there any harsh criticisms from other reviewers about Klein's overall thesis. This is an important work for students of the Cold War and expands nicely on Said's research on Orientalism.
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