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Morning Glory: A Biography of Mary Lou Williams, by Linda Dahl
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Mary Lou Williams—pianist, arranger, composer, and probably the most influential woman in the history of jazz—receives the attention she has long deserved in this definitive biography.
- Sales Rank: #1196765 in Books
- Published on: 2001-03-05
- Original language: English
- Number of items: 1
- Dimensions: 9.02" h x 1.11" w x 5.98" l, 1.61 pounds
- Binding: Paperback
- 465 pages
From Publishers Weekly
In a time when the music of Harlem was beginning to stake a claim on the racially mixed Greenwich Village clientele, Williams, a young black pianist, trained her sights on a more classical venue. In 1947 she reached it, leading Carnegie Hall's New York Philharmonic in a boogie-woogie symphony of her own composition. Williams began her jazz career as a teenager accompanying orchestras "by ear." She soon taught herself to read and write music and gained a reputation as a masterful arranger. Her influence on the evolution of jazz spanned four decades from ragtime to bop, and can be heard in the works of jazz giants from Duke Ellington to Charlie Parker. Many musicians attribute her with genius, but lasting popular recognition has eluded her. Dahl's (Stormy Weather) narrative, while well researched, lacks the vibrancy needed to launch Williams to the fame she nearly obtained and so clearly deserves. Using a plethora of quotations, Dahl reconstructs Williams's evolution as a prodigy, a mystic, a bohemian and a religious convert, but she offers little insight into Williams's character: Dahl tells us that Williams was shy, but follows with stories of a very sassy nature; she announces that Williams's telepathic gift haunted her throughout her life, but offers scarce anecdotal evidence. Nonetheless, Dahl's comprehensive appendixes of discography, compositions and arrangements are a boon to jazz scholars, and despite its defects, this biography remains an important step toward recognizing the achievements of a remarkable woman. (Feb.)
Copyright 2000 Reed Business Information, Inc.
From Library Journal
Dahl, a frequent contributor to jazz publications and the author of Stormy Weather: The Music and Lives of a Century of Jazz Women, presents here an overdue and definitive portrait of one of the 20th century's most important and overlooked jazz figures, the troubled pianist, composer, and arranger Mary Lou Williams. Relating Williams's story without sentimentality or sensationalism, Dahl portrays her as a woman who transcended economic and gender obstacles to create an enduring legacy in the notoriously male-dominated world of jazz. Although the book does not require familiarity with music theory, it manages to interweave the details of Williams's life with the development of her music and her contributions to a variety of styles. Dahl details Williams's influence on and collaboration with some of the premier names in jazz--Duke Ellington, Thelonius Monk, and Bud Powell--and her late-life religious conversion that resulted in a number of ambitious sacred music projects. This highly readable title is essential for jazz studies collections, suitable for women's history collections, and recommended for all collections.
-Mark Brooks Woodhouse, Elmira Coll. Lib., NY
Copyright 2000 Reed Business Information, Inc.
From Booklist
Dahl, who has written liner notes and Smithsonian and Jazz Magazine stories on jazz as well as a jazz history, Stormy Weather: The Music and Lives of a Century of Jazz Women (reprint, 1989), draws on archives and interviews in her involving life of Mary Lou Williams, perhaps the most influential midcentury jazzwoman. Williams, born in Georgia but raised in Pittsburgh, was a natural pianist with a perfect ear who helped her large family by performing at the homes of Steeltown executives. By her early teens, she was on the road; by her midteens, she was married to saxophone player John Williams. And Mary Lou paid attention to all the musicians she met, ultimately winning respect for her performing skill, and composing and arranging music for Goodman, Armstrong, and Ellington, among others. Dahl follows Williams' career into bop, where she maintained key relationships with Bud Powell and Miles Davis, to Europe in the '50s, and then into the Roman Catholic Church, where Williams' spirituality became integral to her musical inspiration. An involving biography of an often unhappy but transcendentally talented jazz artist. Mary Carroll
Most helpful customer reviews
0 of 0 people found the following review helpful.
Discover Mary Lou!
By Amazon Customer
Mary Lou Williams is wonderful. I look in every used record store that I find for her records. There is a documentary film out too. Also in the documentary film, A Great Day in Harlem, about a famous Esquire magazine photograph, Dizzy Gillespie speaks of her with a profound reverence. Check her out.
1 of 3 people found the following review helpful.
Review of Morning Glory
By Keflyn X. Reed
Morning Glory: A Biography of Mary Lou Williams is an interesting work that captures the personality of the wonderfully talented musician. The biography captures the struggles and achievements of Williams; it also shares some amusing details that make the book hard to put down for anyone interested in the careers of early black musicians.
3 of 3 people found the following review helpful.
The Empress of Jazz Piano
By Bomojaz
It's too easy (and condescending) to say that Mary Lou Williams was one of the greatest female jazz artists; she actually was one of the greatest, period. Her compositions and arrangements for the Andy Kirk band while she was a member throughout the 1930s brought much praise and admiration at the time (and still do today). (She also arranged for Benny Goodman, Tommy Dorsey, and other top-rated swing band leaders.) She was a sensational pianist, too, one of the finest boogie-woogie and stride players in jazz; she was also a great innovator and was among the first to master and play bebop in the 1940s. She greatly influenced many modern pianists, and personally changed the styles of Bud Powell and Thelonious Monk. Mary Lou was a deeply religious person and wrote much religious music and kept very close relations with the Catholic Church (Ms. Dahl covers this aspect of Mary Lou's life very thoroughly.) Williams was a demanding player and seemed to have her greatest difficulties dealing with incompatible bass players (she once fired the great bassist Richard Williams during a New York club engagement). Linda Dahl has written a detailed and comprehensive biography of Mary Lou, covering all her musical and extra-musical activities. Included is a nicely organized selective discography. Anyone familiar with Mary Lou's playing or arranging and would like to learn more about her will benefit greatly by reading this excellent biography.
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