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Japanese American artist Isamu Noguchi (1904-1988) is renowned for his stone and bronze sculpture, his gardenlike installations in public spaces, and his furniture designs. Far less familiar, but no less important, is Noguchi's work in clay, which he executed in three intensive sessions in 1931, 1950, and 1952, all during visits to Japan. The pieces included in this elegant volume and the accompanying exhibition comprise the first major museum presentation of Isamu Noguchi's ceramics and the introduction of the work of major postwar Japanese ceramic artists with whom Noguchi collaborated or interacted. Supported by four linked essays and opulently illustrated in full color and black and white, Isamu Noguchi and Modern Japanese Ceramics highlights the sculptor's struggles with cultural identity and his experimentation with the conflicts between modernity and tradition.
Noguchi's sculptures in the medium of clay reveal informal, spontaneous, and humorous aspects not visible in less flexible media such as bronze or stone. Through clay, Noguchi probed unresolved personal issues surrounding his ambiguous cultural identity as the son of a Japanese father and American mother. Because Noguchi made his ceramics in Japan, his work also creates links to a diversity of approaches within the ceramic world of Japan. These range from traditionalists such as Kitaoji Rosanjin and the Living National Treasure designates, to primitivists exemplified by Okamoto Taro and Tsuji Shindo, to avant-garde experimentalists led by the Sodeisha group. An understanding of the nature and scope of the concerns Noguchi expressed through clay is crucial to understanding his work as a whole, and consideration of Japanese ceramic artists in the 1950s reveals a largely unknown genre of modern Japanese art.
Copublished with the Smithsonian Institution
- Sales Rank: #768184 in Books
- Published on: 2003-05-04
- Original language: English
- Number of items: 1
- Dimensions: 11.25" h x 1.10" w x 8.75" l, 3.11 pounds
- Binding: Hardcover
- 240 pages
Review
"It is a rare pleasure to find a thoughtful, readable book that opens a new perspective on a major artist by revealing a hitherto little-known facet of his career. . . . Beautifully illustrated."--"Library Journal
About the Author
Louise Allison Cort is Curator of Ceramics at the Freer Gallery of Art and Arthur M. Sackler Gallery, Smithsonian Institution. She has published widely on the subject of ceramics. Bert Winther-Tamaki is Associate Professor of Art History at the University of California, Irvine. He is the author of Art in the Encounter of Nations: Japanese and American Artists in the Early Postwar Years (2001).
Most helpful customer reviews
8 of 9 people found the following review helpful.
cosmic enlightenment
By dave
Noguchi is truley a master. The most complete catalog of this artists work in clay. As a ceramic sculpture student, this book has given me a world of new insight ang inspiration. Noguchi has been an influence for me for some time and it is wonderful to have such a wonderful resource. Louise Allison Cort has done a remarkable job and I look forward to future catalogs.
1 of 2 people found the following review helpful.
Three Stars
By S. Schneider
Mediocre production. Disappointing photos with a few treasures you have to hunt for.
0 of 1 people found the following review helpful.
Noguchi Ceramics
By Richard J. Warren
This is an excellent "coffee table" book that includes text and photos on the same level as a college textbook but with much more interesting narrative. We love it!
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