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Spectacular Bodies: The Art and Science of the Human Body from Leonardo to Now, by Martin Kemp, Marina Wallace
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This magnificently illustrated book accompanies the most ambitious exhibition in the Hayward Gallery's program for the year 2000. Spectacular Bodies: The Art and Science of the Human Body from Leonardo da Vinci to Now is a ground-breaking exhibition with the potential to be a visual, cultural, and academic revelation with profound impact. The project encourages a new way of looking at visual objects from the territories that are conventionally labeled "medicine" and "art."
The human body is an astounding feat of engineering. For centuries man has striven to understand its complexities, both artistically and anatomically, often resorting to human dissection. Illustrating the point at which medicine and art collide, Know Thyself brings together an extraordinary range of more than 250 objects from more than eighty medical and art museums and collections worldwide. Works of art from across the centuries include the anatomical drawings of Leonardo, Michelangelo, Dürer, and Stubbs, seventeenth-century portraits of surgeons and paintings by great masters including Rembrandt, Hogarth, Courbet, Gericault, and Degas. These works will be shown in a new context alongside medical instruments, prints, and drawings used in the medical study of the human face and body, and life-size anatomical models.
Today, as forensic and medical sciences advance as never before—with the development of genetic fingerprinting, cryogenics, and designer babies—artists continue to find inspiration in the human body. Video installations, photography, and sculpture will present new perspectives on the historic material. The eight contemporary artists involved range from internationally celebrated video artists Bill Viola and Tony Oursler, to younger artists like Gerhard Lang, Christine Borland, and Marc Quinn.
- Sales Rank: #330432 in Books
- Published on: 2000-11-06
- Original language: English
- Number of items: 1
- Dimensions: .83" h x 9.11" w x 11.21" l,
- Binding: Paperback
- 224 pages
From Publishers Weekly
"Head, trunk and upper left limb of an adult male with vessels and nerves, 1804, wax"; "Amputation Saw, 1650-84, wood and wroght iron"; and Bill Viola's "The Space Between the Teeth, 1976, videotape" are just three anatomical parts of Spectacular Bodies: The Art and Science of the Human Body from Leonardo to Now, the catalogue of a recent exhibition at London's Hayward gallery. Curated by Oxford art historian Martin Kemp and Marina Wallace of the Central St. Martin's College of Art and Design, the exhibition and book show the human body in various states of disrepair and the differing postures scientists and other spectators tale towards it. The book's 100 color and 60 b&w illustrations are further revealed by careful research and clear exposition.
Copyright 2001 Cahners Business Information, Inc.
From Library Journal
Alternately eloquent and visceral, this engaging 315-object exhibition catalog of anatomical drawings, wax models, medical charts, instruments, prints, photos, video stills, and even preserved body parts is a testament to human curiosity. Curators Kemp (history of art, Oxford) and Wallace (art, Central St. Martin's Coll. of Art & Design) skillfully interweave five centuries of history, science, and art, presenting such topics as dissection rituals, physiognomy, phrenology, the diagnosis of mental illnesses, and today's often controversial artistic body images. Copublished by London's Hayward Gallery, which houses the eponymous exhibition, the book is detailed and scholarly; the selection and presentation are consistently judicious and imaginative. The final section, "New Eyes," presents and critiques works by eight contemporary artists, including Christine Borland, Marc Quinn, and Bill Viola. Highly recommended for academic, medical, and science libraries. Russell T. Clement, Northwestern Univ. Lib., Evanston, IL
Copyright 2001 Reed Business Information, Inc.
Review
"A book that might forever change how you look at your bodyŠEvery page screams, 'Look at me.'" -- Minneapolis Star Tribune
"A cornucopia of anatomical models, drawings, waxworks, and viscera that gives the exhortation 'Know Thyself!' new resonance." -- Flaunt magazine
"Illustrates vividly the continuing evolution of our understanding-literal and aesthetic-of the flesh." -- Brill's Content
"Stunningly illustrated." -- Artforum
"[A]n array of art and science treasures that attest to our enduring fascination with the human anatomy." -- Library Journal, Best Books of 2001
"[T]his engaging catalog is a testament to human curiosity. Curators skillfully interweave five centuries of history, science, and art . . ." -- starred review, Library Journal
Most helpful customer reviews
8 of 10 people found the following review helpful.
The art of dissection
By S. Gustafson
This is one of the most fascinating art books to cross my path in some time. The subject is the artistic representation of human anatomy.
This is the occasion for a fascinating tour of curiosa. Of course, you have a sequence of Dutch and American anatomy theatre group portraits. More interesting is the sculptures in wax of dissection, surgical, and anatomical models, handmade by what were apparently a group of mostly Italian scupltors. A fellow named Clemente Susini was apparently the Michaelangelo of this field. What makes these interesting is that they are not, as in the -Gray's Anatomy- images, merely displayed. Many are dramatically posed, in the overdone, theatrical poses of baroque painting. The image of them gesticulating as they spill their guts is mildly disconcerting.
There is an extensive discussion of écorché figures, flayed figures that display skinless human musculature. Collections of skeletons and bones, often arranged dramatically rather than clinically, are also featured. There is a large selection of ethnological portraits, and photographs of the insane.
The text is largely sympathetic to these forgotten creators who sought to combine art and science. Identity politics and post-structuralist hoodoo intrudes only slightly on the text, much less than you'd fear given these subjects. A fascinating book for those who are not easily disturbed.
5 of 6 people found the following review helpful.
A spectacularly successful foray addressing Science and Art
By Grady Harp
In this extraordinarily interesting book, a catalogue that accompanied an exhibition in England in 1999 - 2000, the authors and curators present figurative painting and sculpting in a fresh and original fashion. Dipping into the engravings of Vesalius and the amazingly detailed wax recreations of anatomic dissections which populated Medical Schools for centuries, we are introduced to an art form that preceeded drawing from the model in the studio. Never meant to be "art", these dissection models were high science at the same time serving to "glorify the magnificence of God's creation of man". Whatever the initial inspiration, when placed side by side with the Renaissance paintings of the various anatomy lessons (such as the fmous Anatomy Lesson of Dr. Tulp) from Rembrandt through the 19th century to the present day explorations by the likes of Bill Viola and Tony Oursler they serve to enhance our understanding and appreciation for our own bodies as corporal science and as vessels of art. What a fine exhibition this must have been! Fortunately the thought vested in this significant collaboration has been captured in time in the form of this beautifully illustrated and documented book. Only one complaint: Why was this luxurious volume printed only in paperback form? This is an art book worthy of any artist committed to the figure and to all of us who admire figurative painting, sculpture and the wonder of the human form.
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